Tag Archives: #BandcampGold

#Bandcampgold-Nina Simone & Lauryn Hill-The Miseducation of Eunice Waymon by Amerigo Gazaway

#Bandcampgold-Nina Simone & Lauryn Hill-The Miseducation of Eunice Waymon by Amerigo Gazaway

by Dan-O

I’ve written so much about how great Amerigo Gazaway is and monologued at people about him so often that finding new great things to say will be a challenge. It’s like finding new ways to tell your wife how special she is after fifteen years. Giving it a shot: Gazaway has always been brilliant at taking two artists and weaving their work together one modern hip hop giant and another older soul head the difference this time his mission is more apparent. You can see in the title what you get from the listen, he is using Lauryn Hill to teach Nina Simone. I think you can learn more about Nina’s work from The Miseducation of Eunice Waymon than you can from any documentary (I’m not even going to talk about that movie) about her.  Nina like Marvin and Stevie before are focuses for Gazaway because they are the source of all the samples. Dj’s and producers understand how deeply dope Nina was but does the average listener? Nope. They just sing along to the loop.

You should know more than the documentaries will tell you. She was a tortured soul but that’s not enough. She could squeal coo bellow and breathe life into a corny old song like Cherish. You can hear her do this in the background of To Zion as Lauryn takes the verses she is somewhere in the background living emotionally through a reverberating hum. She could find pain in her music, yup. More importantly she could find delicacy and delight just as extreme as her heartbreak. Listen to Nina on the opening of The Sweetest Thing. She makes so much of each moment we have with her. Gazaway instructs us to admire how gallantly finite she always feels.

The project is full of the best skits where Nina talks about very important parts of who she is. In one, she talks about how kids didn’t want to play with her they just asked her to play a song. Another skit talks about the duty she had to protest music for the betterment of her people. Putting all the skits together it’s a maddening position. To be isolated from your people yet completely dedicated to finding justice for them. What an incredibly American journey.

Another plus for me on this project is hearing peak Lauryn like I haven’t in a long time. Full disclosure: old Wyclef production on those Fugees albums doesn’t hold up for me. I don’t listen to them a lot. On Take It Easy I’m able to hear Lauryn spit and Nina kills it, the horns are great. Fu-Gee-La was a great song originally but I love this version so much better.

I’m not a music guy so I’m not sitting back wondering where he got these stems from. I’m so happy to have Gazaway as a dope college professor teaching me the depths of a subject I dearly love. It doesn’t matter how you feel about either of these artists or how you imagine this will sound. You’re wrong. it is way crazier. Press play.

Stream or download The Miseducation of Eunice Waymon below:

https://amerigo.bandcamp.com/album/nina-simone-lauryn-hill-the-miseducation-of-eunice-waymon

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#Bandcampgold-Resistance by Brandon Coleman

#Bandcampgold-Resistance by Brandon Coleman

by Dan-O

Albums have hearts and souls. I need all of them. My favorite Freddie Gibbs album is ESGN because he was so angry at Jeezy and his old label for mismanaging him that his mind was spiraling down the most angry heinous pathways possible and some days I’m there with him. That album has a heart for the worst days. Resistance has the opposite heart. It has love and joy and funk. It makes my five year old and my wife dance together.  When the horns start on the song Sexy and the bass drops my family loses it.

I didn’t know about this album until I went to see Kamasi Washington live. Coleman is his pianist and Kamasi stepped back so he could launch into his lush composition Walk Free. It has the soul of a Donny Hathaway love song with gentle instrumental touches and admirable composition. I vowed that the next wifi connection found would bring me to his album!

The kids say things like “It’s a mood” and sound creepy to me but this album is one. Brandon Coleman does his Roger Troutman thing through the talk box but he doesn’t lean on it. It’s not a shtick. He’s written real songs that are well formed and funky which leaves the Vocoder as an additive you forget about after a while. While Sexy is funky and lets loose it is followed by There’s No Turning Back which is its equal in glimmering smooth horizontal excellence. It glides by at two minutes and twenty seconds leading into the title track which is even shorter (one minute and fifty one seconds).

This is where I confess that you’re not me and you may not have the same taste. Coleman is part of that West Coast jazz contingent with Kamasi (same folks worked on To Pimp A Butterfly with Kendrick). His influences are people I LOVE LOVE LOVE from Freddie Hubbard to Troutman to George Clinton to Dre to Quik. I am a die hard West Coast sound guy and nothing is funkier than Addiction (with killer guest work from Sheera).  These songs slap and groove while maintaining a high IQ in musical execution.  Most people would have made a song like Love the somber/poignant come down in the album but he turned it up, made it bounce like a pop song so that the concept can taste as good to your ears as it should to your heart; as it should to your everyday interactions. This is my kind of dude so Resistance is my kind of album.  The boldest protest made by it is the earned smile it wears while playing in this world of ghastly madness. I wonder if Stevie Wonder has heard this album?

Stream or buy Resistance below:

https://brandon-coleman.bandcamp.com/album/resistance-1

 

#Bandcampgold-Malik Ruff by Quadry

#Bandcampgold-Malik Ruff by Quadry

by Dan-O

Malik Ruff is an album I really like. I don’t have it numerically placed on my list of year end albums yet (it just came out November 2nd) but I really like it. The project washes over you. It balances a distinct ambiance that soaks your sonic pace and tempo with a real balanced perspective. Quadry gives us the joy of New Orleans bounce (he’s from Baton Rouge) on Louis and Pirelli. Both songs gives us permission to rock back and throw our head bop into high gear. Louis relies on the fun of yelling out “2!” which is very fun but Pirelli provides a distorted vocal bridge and lyrics upon lyrics. The song is a real talent showcase. Hot Headed is even better lyrically tackling political mayhem and how it causes our depression. The ambiance I referenced is like a mixture of Organized Noize and Tribe Called Quest. A lot of these songs don’t trample forward but thump at a beautiful pace.  1:04 PM is a great example, produced by Steve Lacy of The Internet, it is a tight song rich with guitar and a great chorus. His smoking and drinking and having fun takes place alongside his rumination about life and depression.

Malik Ruff does me the great service of never demanding I skip a song. Everything is perfectly placed and while I don’t recognize any of the guests featured (BoyBoy, Tev’n ,Anjelihs, Ida’ye, Black Party, Teo Halm) none of them bring weed carrier energy to the project. Everyone is here for a reason. It has snarling attack-the-night music (24/7) and very personal thoughtful material (Wesley ‘For My Son’). I bought this album halfway through the first listen. I just need it with me on days when I don’t feel hype or savage or maudlin or reflective but twenty five percent of each.  Dudes like this don’t break enormous. They become Big K.R.I.T., a respected cult leader of music that just sounds different, a hushed name thrown out in response to “Who could possibly be as good as (insert pop rap superstar)!? ”

Stream or purchase Malik Ruff below:

https://quadry.bandcamp.com/album/malik-ruff

#Bandcampgold-Nostrum Grocers-Self-titled

#Bandcampgold-Nostrum Grocers-Self-titled

by Dan-O

Milo seems like a good dude. He lives in Maine with me and when Sorry To Bother You came here he bought out a showing so people could feel Boots Riley for the first time(get that feeling underground has had for years). The news made me feel bad that I don’t listen to Milo enough. He is a great rapper with a lot of interesting & diverse subject matter covered and he produces interesting beats but boy howdy it’s a lot to take in. Listening to Milo is like floating in space in your space suit with the air to breath but naked in the expanse looking for anything to hold onto. I always listen to new Milo albums once and overthink everything for the rest of the week.

This is what makes Nostrum Grocers such a great album. Elucid is a treasure. As a partner in rhyme to one of my favorite rappers (Billy Woods) in the group Armand Hammer they have blazed a fiery path through underground NY hip hop. Elucid is a special dude because he gets so much done with so little visible seam seen. As smart, introspective and personal as his verses get everything he does is grounded in the kind of effort Juggernaut put forth plowing through the Marvel universe. Just like Cain Marko he makes the impossible look easy.

Neither party has to move closer to one another to achieve balance, which just happens naturally. They both love tense twisted soulful production that can articulate the harshness of reality while keeping alive the hope of being human.  Listen to how Milkdrunk switches from heavy drums in the first thirty seconds to strings. It is an important lesson: all things that seem disjointed in the world of Nostrum Grocers will come together and make sense eventually. All the jokes you didn’t hear you will, “Stuck my dick in the outlet, I gotta shine!—Elucid on Milkdrunk”

Where’ing Those Flowers is such a brilliantly strange usage of sampling and a killer verse from Milo. My favorite song is ’98 Geweher. Milo is a gentle hush full of confident funny cool bars and Elucid says “A crime tree grows in the basement, spit shine my spaceship,” dude blacks out on the track, did I mention the hook feels like a classic but you know you’ve never heard it before.

I wrestle with what disclaimers I should give listeners about Nostrum Grocers. I fear someone will play these ten tracks and come back to me with “it’s aight…” because they have been conditioned to hear the narrative on the album first time as it trends. Albums are built that way nowadays in the pop sphere. Astroworld is perfectly packaged and the fans get it immediately, they know why it is important. Underground rap is still connected to those times when my friend and I rushed to buy The W first week and bumped it for the next 6-8 months till we knew it left/right/center. Nostrum Grocers tastes the best on its 6th 7th 8th listen when it’s become a part of the fabric of your day.  If you don’t listen to music that way, that’s cool but a lot of us still do. For us this is it.

Stream or buy Nostrum Grocers below:

https://nostrumgrocers.bandcamp.com/releases

 

#Bandcampgold-Albums I Bought from The Mello Music Group sale

#Bandcampgold-Albums I Bought from The Mello Music Group sale

by Dan-O

My favorite underground label in the world had a sale. I was notified that every album they had put out was available on Bandcamp for $4.99. I cracked my knuckles and started surfing, sampling, adding the interesting albums to my cart. I love rap music and I am cheap so I had to filter people out. Now the obvious artist to jump on would be Open Mike Eagle who has a string of critically released albums. I already bought his entire discography last year so I am all caught up on Mike. These are the albums I had either not heard or fully attended but once I locked in on them I fell hard for. Here is what I ended up purchasing.

Portraits by Chris Orrick

Portraits is truly dynamic in its level of poetic frustration. The cover photo makes it clear this is an MC who has been doing this for so long so hard that it has taken its toll, everything has.  The title track opens on thirty six seconds of Nolan The Ninjas beat which grooves with thick drums and horns feeling like a Jazzmatazz song.  This is the sonic world of Orrick who makes no apologies for what he likes to sound like. No trap experimentations necessary he needs Exile, Apollo Brown, Onra and a few others to weave a boom bap that leaves room for his intensity over top. Jealous of The Sun is a great example of how hard his pen goes. The first verse is an immense bummer about how the world is in terrible shape. The second is one of the most scathing indictments of Trump you’ll hear in rap and if that wasn’t enough the outro is a frighteningly apt analogy.

‘And there’s no one to tell us where to run
The day the people of earth got jealous of the sun
Looked up in the sky, filled the air with gas
Lit a match
Said “We are not to be outdone!’

 

If you go to Genius.com Chris gave a real good breakdown of what this song means. This is not a political album that is just the intensity he puts in any subject. Design Flaw is all about accepting how terrible you feel along with what is wrong with you and the L’Orange beat is propulsive while tailor made for Orrick. I will talk more about L’Orange later.  I love Portraits and I want you to love it but be prepared for the ride. Sometimes he’s talking about how much he loves his cat other times he’s blaming Obama for cleaning exhaust to the point where it’s harder to kill himself. The first lines in Escape Plan are “I went to sleep a fifth deep one night when I was twenty-three/Woke up sober, hungover, age of twenty-nine” he’s so honest and so poetically exhausted that anyone who has a connection to those feelings will find a connection to this album.

Stream or buy  Portraits below:

https://chrisorrickraps.bandcamp.com/album/portraits

No Question by Locksmith & Apollo Brown

Locksmith is so real I feel like I know the dude. I have been listening and reviewing him for at least five years (all hail The Green Box) and he is one of those rare dudes who leverages his intellectual strength to not just lash out at the system but GUT HIMSELF. Apollo Brown is an old soul NY hip hop minimalist and the resonant quiet of what he does just took Lock to a deeper place. While the album serves as a declaration that these two are not down with the new trends it lands a dizzying amount of profound statements.  Second verse first song (Advice For My Younger Self).

“And I tell you, never play it safe and never settle for second
Never hesitate, not even just for a second
Never second guess, if you say it then manifest it
But be careful who you say it to, some people will try to test it
If you think, use reflection, have sex then use protection
If you meet a girl and don’t, then make sure you have a connection
If she keeps it then you’re stuck with that woman, don’t wanna hear it
If she doesn’t then the guilt you’ll feel later will kill your spirit
Make sure you earn some money but money is not your god
Just a means to purchase things, put family before your job
Put God before your family and love before your lust
Protect yourself at all times, put truth before trust
Never fuss with ignorant folks, actions are much louder
You retreat to keep the peace, that does not make you a coward
If you focus on you, you can never go and unfelt
Not a lecture, just a lesson I give to my younger self”

If this was a Big Sean verse the internet would lose its damn mind. Truth is this is just what Locksmith gives you. He ends the industry tirade Litmus with “I’ve been prosecuted and profited from/ Now I just watch with an understanding and stand in my spot ’till it’s done.” My wife really likes this album, it’s not that my wife notes and parses all the meanings and double meanings in rapper verses but when she catches a line she wants to make sure it’s not dumb.  When Locksmith is spitting she can nod her head enjoy the twinkling piano keys on Slow Down and the buttery chorus or she can listen to Locksmith explain (what I have always said) that love is not a gamble but an investment. Whether she listens hard or doesn’t she knows that Locksmith is pounding on every second of No Question so that no one can accuse him of wasting an Apollo Brown beat. This one isn’t fighting for album of the year its right in the pocket of old friend you’ll wear out status.

Stream or buy No Question below:

https://apollobrown360.bandcamp.com/album/no-question

The Night Took Us In Like Family

By L’Orange & Jeremiah Jae

During this process I fell in love with L’Orange and his experimental disjointed and sometimes fractured take on classic hip hop sounds. His collaboration with Marlowe is great, his solo album The Ordinary Man goes hard.  Nothing tickles me like The Night Took Us In Like Family which is his collaboration with Jeremiah Jae. Jae is the perfect orator for a L’Orange beat he raps with a seething calm, the kind born from the anger bubbling when you realize that the world is against you. When the world turns on you some people fold (and that makes sense) others just sneer and think about how amusing it will be when they turn the tables. Jae goes bar after bar on Ice Obsidian which is only one minute and fifty two seconds but is so complete. He always finishes his thoughts no matter how much time L’Orange gives him no matter how oddly syncopated the beat is. Once the microphone is on he steps into things makes it his story.  Listen to how he starts Underworld “Sometimes I feel that the world is going under/ sky full of clouds all I hear is thunder./ Sometimes I feel like somebodies always watching/ waiting for the fall any chance they can hop in.”  One of the oldest tricks in spoken word was if you got on stage and the crowd is still chatty not paying attention put your face to the mic just start the piece don’t yell. Keep your voice low and conversational, whisper it and they will know to stop to listen. The Night Took Us In Like Family is chopped into bits equal parts song, intermission, and everything is perfectly cohesive. Every bit of violence described has a foundation laid around it so the Gangsta Rap aspect of it is never Rambo and always The Wire. With its seamlessness and dynamic shimmer bursting with casual confidence this one is my very favorite.

Stream or buy The Night Took Us In Like Family below:

https://lorange360.bandcamp.com/album/the-night-took-us-in-like-family

Here is the general link for Mello Music Group’s Bandcamp:

https://mellomusicgroup.bandcamp.com/

#Bandcampgold-Role Model by Michael Christmas

#Bandcampgold-Role Model by Michael Christmas

by Dan-O

A lot of the most profitable rappers have become quite good at positioning themselves as post-joy flat featured heavy-hangs-the-crown types. Of course it isn’t true for most of them but acting like the weight of the world is on your shoulders as you are at your sales high marker is a cooler way to react than actual excitement.

The thing is you can’t replace what excitement gives a song. 19 year old Boston MC Michael Christmas flexes the power of enthusiasm all through his new album Role Model.  Conceptually the album functions around the relationship he has to his sister and the way young innocent eyes make you rethink the image you present to them and the world they are stepping into. After going over the basic rules of engagement with the world to her on the intro he slides right into These Days where he loudly chants how jacked up the world is. It is produced by Meltycanon who does four out of the fifteen songs on Role Model and most of the best ones. Girlfriend Upset and These Days are all anthemic sing-a-longs where the production is broad enough for everyone to love but odd enough (Girlfriend especially) to be tailored for Christmas. The other producer who deserves a tip of the hat is Thelonious Martin for his ill fuzzed out guitars on Growing Up and everything to do with Ball.

It was a surprise hearing Christmas is from Boston because all the Boston MC’s I know of are stone faced hoody wearing Reks/Esoteric/Slaine types who are more likely to rap about eating your intestines than about being shy in the club and erectile dysfunction (see Not For Me second verse). All the hooks on Role Model are big pretty and fun. He doubles his vocals so you can hear him giggling and repeating his “tick tick” ad lib. He might rap about pancakes and then next track hook up with G Perico & Domo Genesis for an ILL West Coast rap song (Polo Sweater). Shout out to G Perico ,by the way, who is one of my favorite rappers of the world and a definite 2017 MVP candidate for the work he put in.

The reason I keep coming back to Role Model is that it is about feeling like you’re not good enough for the new world. Watching the next generation grow up smart and emotionally savvy while fearing you’re not growing at the same pace (Christmas sees this with his sister while I’m raising a son who is clearly better than me). It is about that but it handles the conflicted heft with an earned optimism so by the time you get to track nine (Ball) you are throwing your hands in the air. When track 10 starts Tianna is listening to Ball and singing along and you feel how important his music must be to her. How much she has at stake in him, you take the trip with these characters. You feel how important these relationships are to them. It’s a refreshing perspective and the energy he leverages is contagious.

Stream or Purchase Role Model below:

https://michaelxmas.bandcamp.com/

 

#BandcampGold-Stuck by Nickelus F

#BandcampGold-Stuck by Nickelus F

by Dan-O

On the first real song(Sleazie Wonder) of his new album STUCK, Nickelus F says “Shoulda got a mixtape award but peace to Justo.” He’s absolutely right. In 2013 he released one of my favorite mixtapes of all time (Vices). I listened to it constantly and scoured the internet looking for who produced it, no way this dude with twisted up tissues jammed in his nose created these beats! I’ve never lost the name Nickelus F since the day I realized Vices was him head to toe.

When STUCK came out I had that Nickelus F back. The texture of the music is mid-tempo with gorgeous samples twisted and planted in perfect spots. The songs ring of the nihilism Weeknd traffics with the controlled additive bounce of peak Paul Wall. I told people in my office his story, starting with the old days blowing Drake off tracks and just grinding, being that guy who cares as much about the melody as he does the lyrical content.

Yea Aight is probably the most succinct proof of my previous statement. The hook is gorgeous over piano keys and savagely rolling bass, stitched in samples, and this dude does not have anything my mom would consider a great voice. Nickelus F sounds like a lifetime cigarette smoker with the worst nasal congestion you can imagine.  He has the kind of voice I wouldn’t want for speaking let alone singing but he is a solid gold genius who can throw it all over the field of play. On That’s Fact he sticks the landing on every short choppy line of trap cadence only to switch up and stretch out on the next track (On Our Own).

STUCK has definite high points. The second half is amazing. The people in my office who I forced into listening to it came out genuinely surprised and enriched.  Hands is one of the very best songs released in 2018 by anyone. The perfect mix of a warped soul sample an ill chorus and bars that mean business by a guy who  owned the mic at 106 & Park for 7 weeks(Freestyle Friday hall of fame). Horace Hardbody The Statue is inarguably the best lyrical performance. This dude said “Cigarettes burn and tap ashes like congas.” All this being said STUCK isn’t a performative soap opera narrative or politically uplifting or autobiographical balling. It doesn’t have take over the world singles. It is about the light continual malaise of living in this world. On Horace Hardbody he says “If you’re like me likely you don’t sleep.”  STUCK is an oddball’s celebration of the chaos left where peace could have been. It is the single best second listen in 2018 hip hop for me because everything I missed the first time was there and richly defined.

I love that he does all this himself. I love that he has been lacing verses about subtle misery without shaving off the hard edges WAY before anyone else and is now better at it than ninety percent of the game (If you think I’m nuts listen to The Darkie). I want everyone who loves Drake to know STUCK and know that below the top tier of blockbuster pop rap is the real interesting stuff; a whole world of people taking chances without anyone to stop them or force them into bad guest features or big name producers.  People who have so much nasal blockage we should probably set up a way to donate so we can help…but are absolute wizards in every regard of music and they don’t toil in obscurity. Not for me. To me they are giants. To me Nickelus F in 2018(like he was in 2013) is a giant.

Stream or BUY STUCK below:

https://nickelusf.bandcamp.com/album/stuck