#BandcampGold-1990 by Amerigo Gazaway & Xiomara
I used to burn cd compilations of 90’s R & B. They were semi-notorious amongst my crew (Army stuff). I called the series “Booty Music” because the 90’s were the first decade where the music said what it meant. As richly political and social as 70’s R & B remains those guys could only say so much. Aside from Between The Sheets by The Isley’s the lens is big picture not hardcore sensual.
The new album 1990 nails what was so unique about that decade in the genre. The producer of all thirteen tracks is Amerigo Gazaway who is the master of mash-ups. If you know the careers of the artists he is mixing, he picks and matches up from deep within catalogs. This dude knows more about music than I ever will so it is a joy to learn from his new releases. I have never heard of West Coast singer Xiomara but she really hunkers down and provides beautiful delivery of very well written songs.
1990 does such a great job stretching out in all the trailblazing directions the decade explored. Some of the songs influences are quite clear. After the initial interlude we go right into a West Coast New Jack Swing tribute(Westside Swing). This is where I shout out Xiomara who shows herself to be surprisingly comfortable in different sonic environments. Her strong diction and clear vocal leadership hold everything together and keep this from being cheeky nostalgia. Bounce is a gorgeously blown kiss to the Timbaland/Missy/Ginuwine/Aaliyah explosion that tore music down and rebuilt it. SNL is still doing skits about the Pony beat. At the end it slows down into a DJ Screw pace and you realize again how damn good Gazaway is.
The best songs on the project aren’t as directly referential and are more powerful for it. That Old Alarm is one of the finest R & B songs in the genre this year. It knocks and is haunting at the same time building on weird strings and strong drums. Xiomara drifts overtop talking about getting a loved one out of her head, knowing that it will be hard but once it is done she will be able to move on “don’t come chasin’ after me/ ringing that old alarm.” Can’t Let Go is a groove that finds and holds you so tight that when the beat drops out Xiomara and friends giggle their way through a weed based parody of the chorus.
Both participants understand that 1990’s R & B was primal and personal at the same time. The beat found your guts and made YOUR BODY ALL OVER MY BODY make sense. Xiomara grounds the project with lyrics sung with ownership. It isn’t nostalgia in that pure sense, it is what Sharon Jones did for late 60’s Soul. These two breathe new life into the vessel containing what we loved to bring us closer to what it meant. Recommend this to ANYONE who ever loved this era in music. Somewhere Drake and 40 are BUMPING this.
Stream or download 1990 below:
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Tagged #BandcampGold, 1990, Aaliyah, Amerigo Gazaway, booty music, Ginuwine, Isley Brothers, Missy, reviews, Sharon Jones, Timbaland, Xiomara
Six Degrees of Drake
The widespread success of Drake has caused the spread of a new sound. Does anyone remember when Ghostface Killah started doing sing heavy hooks and it was controversial? People were mad and questioning how hardcore his music was…now being able to sing or fake sing the chorus (sometimes several on one song) is mandatory. Thank Drizzy (and Kid Cudi) for that. The spread of this new sound has created a lane for like minded artists and some of them have put out some pretty great B-movie level mixtapes.
Gerald Walker-Yesterday You Said Tomorrow
I will be honest I used to listen to Gerald Walker and just laugh. He sounded just like Drake and stayed sing rapping about how dumb people were for thinking he sounded like Drake, over Drake beats. I downloaded every tape and actually looked forward to new projects just to be able to chuckle over the situation.
While I was chuckling Gerald Walker was making leaps and bounds. It doesn’t hurt that he can get a Cardo beat any time he wants (5 out of 11 on this project) or that he can switch into singing quite naturally. This is the most refined project in the history of Gerald Walker. He now has a cool detached bop to his flow that really suits him and the years in the game to justifiably teaching lessons on perseverance and patience on the hypnotically soulful Cant Have It All At Once “you don’t realize your worth nobody gotta give you sh__ if you want it go out and work. See I know N’s who got deals who was blessed to take the wheel and drive to they own success but they didn’t…shout out to Pill.”
All the funny things I looked for: the off-putting confessions, baffling missteps, and direct Drake lifts are gone. In place is a mixtape that glistens with professional polish from the balanced new school groove production feel to the perfect vocal mixing. I’ve listened to the song Nerves a thousand times and hummed it to myself in the supermarket. I used to suck my teeth when I saw Gerald Walker featuring on a track, shake my head when he sung his own name like it was the two most beautiful words he could think of. Now I’m singing along, so he wins.
Download or stream Yesterday You Said Tomorrow below:
Kirko Bangz-Progression IV
Kirko Bangz is NOT someone ripping off Drake. If he raps over every Drake beat for the rest of his career that’s something Drizzy OWES HIM. Kirko is actually from Houston. Remember Houston? That place Drake lifted his sound from.
Kirko turns the autotune most of the way up and belts out some straight up somebody-rockin-knockin-the-boots type music. They Don’t Know is perfect Houston 2014 booty music and the best part of Progression 4 is that Kirko is not nearly as emotionally cagey as Drizzy. Drizzy is half emotional half public relations expert for his emotions so every admission feels heavily vetted, Kirko just drops real live weirdness. Don’t Matter To Me is one of my favorite songs of 2014 so far. It starts like this “I heard about you baby but I ain’t worried bout you baby. I know some N’s had you fore I got you but it’s my time I got you baby. I head about the sh__ you did with Slim Thug. I heard Propain could have hit you at the club and I heard Doughbeezy had you on the southeast but let me tell you bout me. Girl I wouldn’t care if you was a prostitute and you hit up every rapper that I ever knew.” Only Kirko would make a catchy sexy jam about how many nasty things you can have done and still love him. Or make a song about how much he wants to bang Rihanna where he talks about her monkey in the first line (Love Rihanna). At one point in this mixtape he says he gets so much sex from lovely ladies he doesn’t have to do his chores. I don’t even understand that but I love it. Sometimes Kirko feels better than Drake not just cause he’s authentically Houston and brings B.A. Houston guests (Propain, Killa Kyleon) but because his music feels like what Drake would do if he lost his mind when he was drunk. Tell me you wouldn’t listen to that?
Stream or download Progression IV below:
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Tagged autotune, booty music, Cardo, Drake, Gerald Walker, Ghostface Killah, Houston, Houston hip hop, Killa Kyleon, Kirko Bangz, mixtape reviews, Progression IV, Rihanna, Six Degrees of Drake, Slim Thug, Yesterday You Said Tomorrow