#Bandcampgold-Songs.4. People. Who.Break.Bread by Niko Is produced by Thanks Joey
More than anything else Songs.4.People.Who.Break.Bread is a celebration of leveling up. I have been writing about Niko Is every year since his marvelously perfect 2012 Chill Cosby mixtape. Since that time he has been feverishly releasing material, touring, and playing his position. He’s now Talib Kweli’s right hand man, the kind of guy who can live in a tour bus for months and unfold himself as a lyrical dynamo from a weeded up sleepy state.
Songs.4.People.Who.Break.Bread isn’t my favorite Niko project for the simple fact that I remember release after release that was all him with one or two guests(Brutus is the Reasonable Doubt for Niko) and his ability to breath fire and sew together disparate imagery was all I ever wanted. This project definitely has that. The last song is my favorite: God & the Devil in the land of the Sun is a scare your parent’s banger where Niko fires sneaky sit & think about it lyrics while exactly in the pocket of the melody, the groove. Niko has been doing this so long and so religiously that he fits no matter what beat starts.
Another rewarding aspect of following the development of Niko’s movement is I am as much a fan of his chosen producer Thanks Joey (Joey Creates). Early production was proudly boom bap under Latin Soul samples from the greats (Tim Maia comes to mind from Chill Cosby). Joey has grown with Niko and now while he still can give you beats under that formula he has grown into all other levels. Say U Don’t has voices chanting in the background sampled into a stew of tortured sound while the bass bubbles and thumps. Wildest Dreams sounds like Jungle ambiance over drums that would bring a tear to Timbo’s eyes. These 8 songs are the closest Joey has been to becoming the Latin hip hop stripped down banger scientist version of Swizz Beatz. On 5am @ Walmart he sets a classic hip hop tone that allows for great verses from not just Niko but Mygrane & Murdoc. That song is meant to be a cypher of lyricists so the beat needs to lead from the back and Joey can do it. Joey can do anything.
Niko has worked with other producers who have done great work but any Niko fan ends up wondering, why not just all Joey? Joey is so good. So that is what we get(and have gotten for a while). U Could Be My Gal is Joey’s prettiest work with finger snaps and gentle cooing looped as the beat knocks. The first Bandcamp tag is “bossa nova” the second is “hip hop” and it makes sense. At this point Joey could use nothing but Astrud Gilberto samples and give you the hardest hitting hip hop album of the year. Songs.4.People.Who.Break.Bread is a better showcase of Joey’s growth and expertise in his field than Niko. Niko understands at this point. He’s proved his bars all over tracks with legendary mc’s (Styles P, Kweli, Action Bronson) and reliably put out albums where the concept is simply that Niko Is dope, albums that work better than fancier concept albums from major artists.
Songs.4.People.Who.Break.Bread is an affirmation that as a team they are officially staples and it is known outside of Florida, outside of the weird subset who feverishly repped him. When Chino XL comes onto Spanglish in Outerspace and rips into Woody Allen and Usher in a masterful scene stealing verse you can see the long haired stage crusher smiling, not at all feeling uneasy that he just killed on a track but excited that he gets to be on it with Chino (F*CKING) XL. He lives a life where Kool A.D. will give him a verse now and he got there through his loving monogamous relationship with the beat. You can call him an energy guy but ever since he’s been around Kweli….Kweli has sounded totally re-energized (see Carmen off Niko’s Brutus LP). That is Niko and it is Joey and it’s appreciated.
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Tagged #BandcampGold, Bossa Nova, Brutus, Chill Cosby, Chino XL, Kool A.D., Murdoc, Mygrane, Niko Is, Songs.4.People.Who.Break.Bread, Styles P, Talib Kweli, Thanks Joey
Free Album Review-Fuck The Money by Talib Kweli
At his worst Talib Kweli is still a tremendous talent. He’s just an unlistenable unlikable one. In the very lowest stages of his career you would find him stiff and professorial; determined to teach you how OPEC really works. At his best he is how he is now on his new free release Fuck The Money.
I’m not here to make the case that he’s changed. The case is pretty straight forward; Talib has such a keen eye for talent that he needs that chemistry with people to push him. The right chemistry. Javotti Media has a bunch of artists he’s very happy to work with. If you listen to him on the Combat Jack Podcast describe the strengths of each artist, he does so with passion and vigor the kind not naturally apparent during the Blacksmith start up. Let me use Niko Is as an example. During that interview he called Niko one of the best freestylers he had ever seen and that is very much Niko’s style. He’s loose and relaxed, winding words into a thick soup of sometimes silly yet thoughtful imagery. Not only does Niko show up alongside Kweli and Ab-Soul over an Alchemist beat on The Venetian, anyone who heard Brutus knows that this sounds like a Niko song. One of the best beats on Fuck The Money comes from Thanks Joey, Niko’s primary production partner in crime. The joy and fluidity of Niko’s style(and team) warms and inspires Kweli to go harder and have fun doing it.
I’m not trying to take credit from Kweli here. It’s an amazing listen. Miguel shows up to demolish the hook on Echoes yet our narrator doesn’t see the status difference between Miguel or Kendra Ross who does the hook on Baby Girl. Ab-Soul’s verse is dope on The Venetian (I still think Niko runs that song) but so is Casper Nyovest on Fuck The Money. Part of what makes Kweli special is that when he hears a new artist bubbling over with talent he doesn’t get resentful or jealous, he gets excited. My favorite song is probably He Said She Said where he gives you the trials and tribulations of a new artists journey the rise (“he adored by all them bloggers, they describe him down to his boxers”) and fall (“They celebrate in his self-destruction it makes for excellent copy”) without ever getting a chance to let the music speak. The song shows empathy for the new artists that he’s dealing with. It doesn’t hurt that Farhot crafted a Stakes is High sounding banger of a beat that will destroy your car speakers while making you feel great.
Kweli sounds so damn comfortable. Whether he’s namechecking Niko while he screams crazy talk from the couch (Gratitude) or reuniting with Styles P on Fall Back. The production team does not want any part of laid back neo soul. This music is exciting. The title track is also produced by Farhot and its nasty helping push Kweli into double time splendor. Amadeus produces three tracks including the trap sounding Nice Things which comes off well.
So yes Fuck The Money is partially great because less concept and more joy is better than the other possibilities but…it does have a concept. It’s his evidence for each hip hop head that when you are putting together your own personal hall of fame in your mind, you can’t judge that greatness by awards or sales. If you think Jay is great because of his success you’re missing all useful criteria for judging skill. Kweli really is one of the greats and I’m glad he’s letting people know in a way that best suits him. Hell I knew it that night he played a pool hall round my way and killed it by himself in a leather jacket. He went longer than any hip hop act I had seen at that point and I left thinking he could have gone all night. Some people just have it in their bones and they love the infinity of word choice. Kweli is like that.
Add Fuck The Money to your cart using the link below and go through he check out process. You won’t have to add credit card info since its a free purchase. They will email you the file.
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Tagged Ab-Soul, Alchemist, Amadeus, Blacksmith, Brutus, Casper Nyovest, Combat Jack Podcast, Farhot, Free Album review, Fuck The Money, Javotti Media, Kendra Ross, Miguel, Niko Is, Stakes Is High, Styles P, Talib Kweli, Thanks Joey, The Venetian