Tag Archives: Exile

#Bandcampgold-Albums I Bought from The Mello Music Group sale

#Bandcampgold-Albums I Bought from The Mello Music Group sale

by Dan-O

My favorite underground label in the world had a sale. I was notified that every album they had put out was available on Bandcamp for $4.99. I cracked my knuckles and started surfing, sampling, adding the interesting albums to my cart. I love rap music and I am cheap so I had to filter people out. Now the obvious artist to jump on would be Open Mike Eagle who has a string of critically released albums. I already bought his entire discography last year so I am all caught up on Mike. These are the albums I had either not heard or fully attended but once I locked in on them I fell hard for. Here is what I ended up purchasing.

Portraits by Chris Orrick

Portraits is truly dynamic in its level of poetic frustration. The cover photo makes it clear this is an MC who has been doing this for so long so hard that it has taken its toll, everything has.  The title track opens on thirty six seconds of Nolan The Ninjas beat which grooves with thick drums and horns feeling like a Jazzmatazz song.  This is the sonic world of Orrick who makes no apologies for what he likes to sound like. No trap experimentations necessary he needs Exile, Apollo Brown, Onra and a few others to weave a boom bap that leaves room for his intensity over top. Jealous of The Sun is a great example of how hard his pen goes. The first verse is an immense bummer about how the world is in terrible shape. The second is one of the most scathing indictments of Trump you’ll hear in rap and if that wasn’t enough the outro is a frighteningly apt analogy.

‘And there’s no one to tell us where to run
The day the people of earth got jealous of the sun
Looked up in the sky, filled the air with gas
Lit a match
Said “We are not to be outdone!’

 

If you go to Genius.com Chris gave a real good breakdown of what this song means. This is not a political album that is just the intensity he puts in any subject. Design Flaw is all about accepting how terrible you feel along with what is wrong with you and the L’Orange beat is propulsive while tailor made for Orrick. I will talk more about L’Orange later.  I love Portraits and I want you to love it but be prepared for the ride. Sometimes he’s talking about how much he loves his cat other times he’s blaming Obama for cleaning exhaust to the point where it’s harder to kill himself. The first lines in Escape Plan are “I went to sleep a fifth deep one night when I was twenty-three/Woke up sober, hungover, age of twenty-nine” he’s so honest and so poetically exhausted that anyone who has a connection to those feelings will find a connection to this album.

Stream or buy  Portraits below:

https://chrisorrickraps.bandcamp.com/album/portraits

No Question by Locksmith & Apollo Brown

Locksmith is so real I feel like I know the dude. I have been listening and reviewing him for at least five years (all hail The Green Box) and he is one of those rare dudes who leverages his intellectual strength to not just lash out at the system but GUT HIMSELF. Apollo Brown is an old soul NY hip hop minimalist and the resonant quiet of what he does just took Lock to a deeper place. While the album serves as a declaration that these two are not down with the new trends it lands a dizzying amount of profound statements.  Second verse first song (Advice For My Younger Self).

“And I tell you, never play it safe and never settle for second
Never hesitate, not even just for a second
Never second guess, if you say it then manifest it
But be careful who you say it to, some people will try to test it
If you think, use reflection, have sex then use protection
If you meet a girl and don’t, then make sure you have a connection
If she keeps it then you’re stuck with that woman, don’t wanna hear it
If she doesn’t then the guilt you’ll feel later will kill your spirit
Make sure you earn some money but money is not your god
Just a means to purchase things, put family before your job
Put God before your family and love before your lust
Protect yourself at all times, put truth before trust
Never fuss with ignorant folks, actions are much louder
You retreat to keep the peace, that does not make you a coward
If you focus on you, you can never go and unfelt
Not a lecture, just a lesson I give to my younger self”

If this was a Big Sean verse the internet would lose its damn mind. Truth is this is just what Locksmith gives you. He ends the industry tirade Litmus with “I’ve been prosecuted and profited from/ Now I just watch with an understanding and stand in my spot ’till it’s done.” My wife really likes this album, it’s not that my wife notes and parses all the meanings and double meanings in rapper verses but when she catches a line she wants to make sure it’s not dumb.  When Locksmith is spitting she can nod her head enjoy the twinkling piano keys on Slow Down and the buttery chorus or she can listen to Locksmith explain (what I have always said) that love is not a gamble but an investment. Whether she listens hard or doesn’t she knows that Locksmith is pounding on every second of No Question so that no one can accuse him of wasting an Apollo Brown beat. This one isn’t fighting for album of the year its right in the pocket of old friend you’ll wear out status.

Stream or buy No Question below:

https://apollobrown360.bandcamp.com/album/no-question

The Night Took Us In Like Family

By L’Orange & Jeremiah Jae

During this process I fell in love with L’Orange and his experimental disjointed and sometimes fractured take on classic hip hop sounds. His collaboration with Marlowe is great, his solo album The Ordinary Man goes hard.  Nothing tickles me like The Night Took Us In Like Family which is his collaboration with Jeremiah Jae. Jae is the perfect orator for a L’Orange beat he raps with a seething calm, the kind born from the anger bubbling when you realize that the world is against you. When the world turns on you some people fold (and that makes sense) others just sneer and think about how amusing it will be when they turn the tables. Jae goes bar after bar on Ice Obsidian which is only one minute and fifty two seconds but is so complete. He always finishes his thoughts no matter how much time L’Orange gives him no matter how oddly syncopated the beat is. Once the microphone is on he steps into things makes it his story.  Listen to how he starts Underworld “Sometimes I feel that the world is going under/ sky full of clouds all I hear is thunder./ Sometimes I feel like somebodies always watching/ waiting for the fall any chance they can hop in.”  One of the oldest tricks in spoken word was if you got on stage and the crowd is still chatty not paying attention put your face to the mic just start the piece don’t yell. Keep your voice low and conversational, whisper it and they will know to stop to listen. The Night Took Us In Like Family is chopped into bits equal parts song, intermission, and everything is perfectly cohesive. Every bit of violence described has a foundation laid around it so the Gangsta Rap aspect of it is never Rambo and always The Wire. With its seamlessness and dynamic shimmer bursting with casual confidence this one is my very favorite.

Stream or buy The Night Took Us In Like Family below:

https://lorange360.bandcamp.com/album/the-night-took-us-in-like-family

Here is the general link for Mello Music Group’s Bandcamp:

https://mellomusicgroup.bandcamp.com/

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#Bandcampgold-Brick Body Kids Still Daydream by Open Mike Eagle

#Bandcampgold-Brick Body Kids Still Daydream by Open Mike Eagle

by Dan-O

I am so much more excited about BBKSD than my circle. Everyone likes it. People at this point have heard of Open Mike Eagle due to the breakout success of 2014’s Dark Comedy (and 2016’s huge improvement Hella Personal Film Festival). He is officially on the bubble of everyone who follows music and BBKSD shows yet another improvement. That is a good enough take but not from my angle.  If you follow the incredible X-Men references in the opening track (Legendary Iron Hood https://genius.com/Open-mike-eagle-legendary-iron-hood-lyrics ). The song is a perfect example of Mike pushing everything to the hilt. He’s always had great hooks and this time they are prettier, better sung, catchier (see Hymnal) the beats are full of strange sounds coming together over his buttery flow. His lyrics take comic imagery and push it 38 degrees to the left so that they become intensely meaningful.

On Happy Wasteland Day he is slick and smooth weaving zombie imagery and the connotation of dystopia into his everyday life “When the king is a garbage person/I might wanna lay down and die/Power down on my darkest urges/Keep my personal crown up high.”  As the song goes on his tone gets more and more urgent as the terror of everyday violence punctures the force field. The last verse his voice is post mortem, dead monotone and fading.  It is as much an emotional journey as Velvet Underground’s Heroin.

If you’re a strict rap guy who needs BARS just press play on Brick Body Complex which is a sensational set fire to the BS hook with dizzying skill from his pen in the verses “Chi Town in my building code/Stood here for ten million snows/wind chill is all in my bones/ Indivisible in divisible kids and criminals young and old/No radiator my dungeon cold.” That song sets my sensory on overload and it isn’t even my favorite.

I would change nothing on BBKSD but boy do I come back specifically to 95 Radios. Toy Light and Has-Lo created a beat that chimes a spotlight on the verses (Has-Lo destroys verse 1). Mike’s second verse teases fun growing up references but can’t run away from the hard thoughtful personal truth “I miss my old hood/ miss my homies/is lonely/ The radio host is like they know me.”  The pain isn’t just in the verse it’s in the delivery, the chorus drips with the visual image of a kid closing his eyes and trying to hear a rap song so he doesn’t have to think so damn much.

When I was in school (trying to become a better writer) teachers routinely told me to ignore what I did well and focus on improving my faults. As a natural antagonist the first thing I did was push even harder on my strengths leaving the rest for later. Sometimes if I pushed hard enough I could accomplish something really surprising and that was the best feeling. Brick Body Kids Still Daydream gives me that feeling for Mike. No one gets to show him his lane.

Bandcamp link below:

https://openmikeeagle360.bandcamp.com/album/brick-body-kids-still-daydream

Throwback Thursday-The self-destructive finale of Mobb Deep

Throwback Thursday-The self-destructive finale of Mobb Deep

by Dan-O

So its 2005. Last year Mobb Deep put out Amerikaz Nightmare which was a superb album but destroyed internally by Jay-z who pulled strings to keep the radio/video play down. 50 Cent signs Mobb Deep which is a pretty big deal because his first album in 2003 (Get Rich or Die Tryin) went DIAMOND and his follow up in 2005(The Massacre) is about to go DIAMOND again.  Not only does 50 want to sign Mobb Deep but he wants to do a song with them that will be a smash hit, he wants to place this on the movie about his come up, starring him, called Get Rich Or Die Tryin. This is really the last shot Havoc & Prodigy will have at the limelight. Their brand of dark sinister east coast goon rap only really exists in a profitable way on G-unit.

So Pearly Gates is totally designed to be that smash hit. Exile does the beat and it is the best of him. The sample flutters and then slows, smears and transforms into a cutting piano loop with knocking bass. 50 is the first voice you hear and he lays out the blueprint for what this song should accomplish. He weaves one of his infectious chorus’s under the clever conception that he could talk his way into heaven. 50 wants this song to be hardcore but empowering in the style that his movie will be, that his life is (to a certain extent). He manages to warn his enemies they can die at any time while looking humbly at where he is; amazed at the platform he has reached.

Havoc is an incredibly intelligent emcee and builds on it. He uses the religious imagery to his advantage “The dogs bark and since all the souls I took, moms pray for me with her right hand on the good book.” His verse is about how lucky he is to be alive and the divine relation to that luck. Everything is going well until Prodigy shows up and says

“Now homey if I go to hell and you make it to the pearly gates,

Tell the boss man we got beef

And tell his only son, I’m a see him when I see him

And when I see him, I’m a beat him like a movie”

In that short a span of time it’s basically all over. Prodigy threatens Christ flips off god and declares “Look, we a new breed in 2006 we don’t give a F_ about that religious B*&^S#$.” On the Drink Champs podcast 50 Cent says he was staggered by this and Ma$e was there at the time with his own theory. You can see it developing in Prodigy’s verse “Man my life is painful; pray to angels I’m praying to myself hoping I ain’t got to spank you.” Ma$e told 50 that since P had suffered Sickle Cell his whole life he’d dealt with spitting blood and passing out and basically been in pain every day. P was having a moment in that verse, maybe Exile had laced that beat too well. It sounded pristine and angelic and having lived with pain in his blood his whole life with no explanation as to why he had to tear it down to the floor. He looked right at the beat and said how dare you let us suffer “For leaving us out to dry on straight poverty.”

50 Pulled that song from the movie. He did his best to help Mobb Deep (doing 6 features on their G-Unit debut Blood Money) and Pearly Gates still came out but it was cut and chopped all through P’s verse.

In four lines Prodigy spit in the face of his best opportunity to get back on top(Blood Money came out in 2006 and Mobb Deep didn’t have a follow up album until 2014 and that was not a proper one) I honestly don’t know if it was a mistake, for him. For Prodigy, I’m sure that verse means a lot and the ability to reach up and choke your comfort is what Mobb Deep was always about.

check out Pearly Gates below: