Tag Archives: Hi-Tek

Mixtape Review-Red Corolla by Domo Genesis

Mixtape Review-Red Corolla by Domo Genesis

by Dan-O

Odd Future turned out to be a pretty awesome buffet of talent you could pick and choose from. I chose Domo Genesis from the very beginning, a no nonsense rappers rapper with an endless appetite to spit. When Domo put his debut album out last year he was in his Sunday best bringing buttery R & B singers in to hit the hooks, high profile guest verses, and jazzy production with horns or piano or both. Genesis is fine but it doesn’t play to his strengths like this year’s project Red Corolla

It is ten tight tracks and none of them are long; none of them are overly conceptual. The production is short stabbing sounds over big drums. Evidence and Hi-Tek fit perfectly in the mix. Only two guest features pop in and both are fantastic. King Chip leads the way in the standout collaboration Honestly, Just Wanna Have A Good Time and Styles P drops another dope guest verse (for his guest verse hall of fame portfolio) on Overthinking.

The production is better because it provides tension that pushes Domo forward. The gentle plink of piano keys doesn’t feed the adrenaline in the same way these beats do, they push him to push harder. Even a song like Vintage Doms that you can think of as a straight up exercise in rapping is full of gems: “With a swag meaner than a broke bitch,” “Since Bishop fell up off the roof the juice I got it now.” He still brings melody in when he feels like it, on What It Means he kicks things off catchy with a splendidly sung hook but clears room for bar after bar afterward.

All the decisions he makes fit the concept of the red corolla, the cheap car that grounds his experiences. On the title track he explains it on the first verse.

“No longer focused on my broken ways
All I know’s the only way is to get loaded paid
But funny how the changes turn page when the dough exchange
Got me trying to float away
Back to red Corolla days”

It is a clear concept but one with enough room to breathe as a writer. The decisions just have to fit the personality of the man who once drove that vehicle. Red Corolla might be my favorite mixtape of the year and I don’t know if it has to do with the pure lack of rapping rappers we have now. Not taking any shots but guys like Domo who fearlessly lace rhymes are a rare breed at this point. It has made me a better listener and more appreciative. Mixtape Domo doesn’t have any concern about what will fit on the radio or jump up to first single level importance he just does the work and it all fits together perfectly.

I’m not saying album Domo isn’t valuable; I just want a bridge built between the two so we can arrive at a sonic compromise that makes everyone happy.

Stream or Download Red Corrolla below:

http://www.datpiff.com/Domo-Genesis-Red-Corolla-mixtape.849135.html

 

#ThrowbackThursday-Love In, Love Out by Cormega

ThrowbackThursday-Love In, Love Out by Cormega

by Dan-O

For a while whenever someone was at my house and said they wanted to hear Nas, I would put on Cormega. This wasn’t a slight at Nasty Nas at all, in Maine Nas was known and quite respected but the depth and importance of the surrounding dudes was not. Not enough hip hop kids knew who AZ or Mega were (although in NY things were different I’m sure). Fifteen years ago Cormega put out The True Meaning and I absolutely blasted it. An independent album with production credits from Buckwild, Alchemist, Large Professor, & Hi-Tek it is clear that the industry always understood the skill level of Cormega.

If you know Cormega now you might have heard more recent albums like 2014’s Mega Philosophy or 2009’s Born and Raised which are grown man intelligent in a way that literally made Chuck D proud. The difference in 2002 Cormega is Love In, Love Out.  Maybe five rappers in the history of the genre are as good at writing betrayal as Cormega. He wrote about going from loving shout out on One Love to left out of The Firm so much that he was able to mature into his understanding of the situation. While 2001’s The Realness was full of blistering accusations and gloriously well executed line crossing by The True Meaning Cormega was master of all three dimensions of his situation. In a disciplined thoughtful tone he says “I was never jealous of you, in fact I was proud of you. I smiled when I heard you on Live at The BBQ. I respect you as an artist though I’m no longer fond of you.”  But the emotion is bubbling underneath. When he immediately follows  “I gave you love from the heart unlike the people surrounding you.” That statement is knowingly loaded.

Love In, Love Out is bravely a showcase of real situations pulled through a composers mind and sharp tongue. When The True Meaning came out I played Verbal Graffiti over and over again for the absolute forest fire flow, he crackled and snarled as he opened “I’m like a panther in the dark silent when I strike the paper, like a dagger in your heart when I write I leave a mark.” It went along with the stories people told me about him in the military. I would talk Mega and someone would say “I saw him on the subway with two crackheads! One was beautiful but the other one…” his street credibility was mythical for those of us outside of New York.

Love In, Love Out represents the parts of Cormega’s legacy to rap I feel most rewarded by. The introspective person bound by his ethics, wounded by betrayal and brave enough to elaborate on all conditions of it; not just his hurt and being wronged but the respect he will always have for what the person was.  The ethical man using all his strength to hold back the panther part of him that wants vengeance, at this point in listening that feels like The True Meaning.