Song of The Year-Westbrook by J.I.D. featuring A$AP FERG produced by Christo
It’s exciting when a new voice comes into full bloom for the public. In March of 2017 when J.I.D. put out his album The Never Story the underground publications sang about it and didn’t stop until the end of the year. It was that dope indy film that didn’t have the budget to be as deeply entrenched in the culture as it was. What I love most about J.I.D. is that he got that bubble up and decided his next project needed to ratchet up the effort/efficiency/entertainment value. He’s a clutch player. Dicaprio 2 is so good that at times it feels like being trapped. Despacito Too and Mounted Up have smash mouth minimal production feels so as to leave you face to face with the man mountain of syllables (feel free to spread this description of his ability). When he has help he’s superb. Whether it is Bj The Chicago Kid, 6lack or Method Man he finds enough space to sacrifice for his guest and they shine.
A single line from a single verse really messed me up. That is on my favorite song from Dicaprio 2, Westbrook. The beat chimes like Christmas then stomps your speakers as Ferg brings perfect sneering energy on the hook but at a little over halfway through the song J.I.D. says
Live life like a baby that was dead at birth
But came alive and f—ed the nurses
Throughout the verse he is chuckling to himself just plunging into the depths of his sick mind and dumping it out. I can’t lie I was very excited by how deeply inappropriate this is. This is a hip hop thing connected to the feeling NY had when Nas claimed he went to hell for snuffing Jesus. We weren’t excited to see smug old Jesus finally get his it was the discovery of a new voice, a new mind we can connect to who might be weirder than anyone we know. Similarly, no unringing this bell; this kid got Joey Bad@$$ and Meth together and wrecked it next to both of them. You can read other reviews to hear where he’s from what his social media footprint is like. I’m old and not going to waste space. I just want to pull up a chair and watch the young man spin this cadence till the whole world rings with it. Dicaprio 2 feels like being trapped in a place your body won’t let you leave.
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Tagged 6lack, A$AP Ferg, Atlanta hip hop, Bj The Chicago Kid, Christo, Dicaprio 2, Dreamville, J Cole, J.I.D., Method Man, Nas, song of the year, The Never Story
Mixtape Review-Prohibition by Berner & B-Real
Mixtapes give upcoming artists a chance to put together something that purely reflects them; not vetted by record executives and plotted for the radio. It also gives the major and middle class artists a chance to drop something cool out of nowhere. Prohibition falls into the second category. Far from a tear-soaked confessional Berner and B-Real come together for a merry celebration of legalized marijuana (in Colorado and other places).
If you need proof this is an A-list event just look at the track listing. Features include Devin The Dude, Snoop Dogg, and multiple stuck in your head hooks from Wiz Khalifa (not to mention a production credit from Harry Fraud).
Berner has been a commodity for a while. His flow moves at a trudge but he knows what good rap sounds like (evidenced here by co-production credit on Faded). His slower assured flow finds a perfect fit in front of B-Real’s pinched voice and faster pace on Prohibitions first song Shatter. Berner is one of those perfectly self sufficient dudes who makes a great musical accomplice. Not only is he used to doing it all himself but his sound is big enough to welcome just about anyone comfortably in it. On Faded (which samples my favorite Jay-Z beat) Berner ends the first verse with a cool tip of the hat to B-Real “sh#t I burned my first joint to…Cypress Hill” acknowledging that you will likely listen to this for B-Real and he’s fine with that. He is the Arn Anderson to B-Real’s Ric Flair (#prowrestlingreference).
Cozmo and Maxwell Smart keep things moving with big screen production that pulses and pounds like a speaker avalanche. All the hooks are super catchy and everyone knows what Prohibition is supposed to achieve. Fun. Beyond the excitement of big names and sweet hooks over car rattling beats its great to have B-Real back.
It was Method Man who said once when you are dope your always dope you don’t lose that. I don’t agree. If you don’t move, your muscles turn to mush and if you don’t spit dope verses….you lose your place in the process of creating them. It takes time to get it back and a lot of veterans don’t ever get it back. Over the last few years B-Real has been WORKING. His guest verse on the Curren$y track ET was remarkable when compared to low points on Stoned Raiders. I don’t think new school artists like Khalifa, Curren$y, and Berner are propping the old dog up. It’s the opposite. B-Real is determined to be dope. He sounds right at home on the Taylor Gang pimptastic anthem Breeze. He can still rip through a hardcore beat but he doesn’t need too. He’s adept enough to adapt without sounding corny. This is still the B-Real that spit smoker verses from your old boom box into the smoke clouds of your cold garage. For proof listen to him on 1 Hit “I got a dab on the nail…inhale. Got the flavors flowing outta my lungs when I exhale. Man I’m riding on a cloud hovering over the crowd…” that could have been from the Friday soundtrack. All that Prohibition achieves it does in only 8 tracks with the title track being a skit. It’s a concise love letter to not only weed but the weed song and all the surreal lushness of its landscape. I’ve never smoked marijuana in my life but man do I love a weed song. The high points of Prohibition are enough to cause a contact high.
Stream of download Prohibition below:
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Tagged B-Real, Berner, Curren$y, Cypress Hill, Devin The Dude, Friday soundtrack, Harry Fraud, Method Man, mixtape review, Prohibition, Snoop Dogg, Stoned Raiders, Taylor Gang, weed songs, west coast hip hop, Wiz Khalifa