Song of The Year-Wolf Mode by Chris Rivers
When talking about Noname a friend of mine made the argument that while her follow up album was very good(Room 25), she will likely spend her career measured against the song Casket Pretty from her first album (Telefone). This isn’t about producing an insurmountable hit. Casket Pretty is a hushed poetic eulogy to all the people who shouldn’t have had to die. It’s succinct, dynamic, and gripping. That song will be something a lot of people never ever forget and when her name comes up that song will be the first reply.
I mention this to say Wolf Mode is that song for Chris Rivers. His whole career has been building to it. Wolf Mode is what makes hip hop more than a financially successful genre it can act as a method of group therapy. He combines multi-speed raw flow excellence with an ease in discussing mental illness that few have. He chides someone for never giving love unconditionally and then hopes they die, and pretty immediately admits he has attempted suicide. This isn’t a sad song where the piano helps us cry with him. This is a bass heavy chant about how tough are skin needs to be, how the trials we have been through have built us scar and scab by scar and scab. With under a minute to go Chris double times “I’d rather have the hard truth than a sweet lie because the hard truth still apply to me…” and he’s nailed it. The gorgeous glimmering jewel that sits in the genres heart. This space is where you can tell it how it really is. The Jonas boys make fun music but you’ll never know if they battled sobriety.
I remember watching the documentary and seeing Big Pun hit his wife with a gun while a room of his associates bowed their head and said nothing. This is the guy who gave me the best hip hop album of all time(Capital Punishment, no arguments). As Rivers came up I always wanted to ask him how he balances those contradicting ends of his fathers legacy. This many years later to have his son spitting about self love and forgiveness, mistakes and how the deep scars mean the most has been therapeutic for me. I’m sure many have “canceled” Pun based on the documentary but River’s new album G.I.T.U. makes an important case that a person with a good heart can fix themselves if they have the time. Pun was robbed of that. I’m so glad Chris hasn’t been.
Stream or download G.I.T.U. below:
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Tagged Big Pun, Capital Punishment, Chris Rivers, G.I.T.U., hip hop, hip hop reviews, Mello Music Group, Noname, Room 25, song of the year, Songs that define a career, Telefone, underground hip hop
Song of the year-Ace by Noname featuring Smino & Saba
I really do regret not listening to Smino-Blkswn earlier. I missed out on the countless relistens and an orator who seems to have neo-soul finger snap rhythm resonating from the depths of his soul. Every second of a song with Smino on it is a hypnotic groove. I was very thankful to have these three together to lay out a posse cut so chill, so intelligent and them.
This song comes from Noname’s album Room 25. It has gotten a lot of press; her writing is very slam poetry (some people see that under a negative connotation I do not) her delivery is bashful and hushed. Lyrically she can get personal, talking alcohol addiction or moving away from home. What I don’t think gets enough shine is how funny she is. She is so hushed and raw that when you catch a truly funny line it is even funnier. It releases the tension she’s built. My favorite line on the album is on the song Montego Bae when she says “Classy B_ only use a coaster.” Now keep in mind this line comes immediately after “He gon’ f$&% me like I’m Oprah.” The great part about a Noname verse is it gives the three dimensions of an actual conversation. She transitions from flirty to drowning in fear about the world to hilarious and you feel like you are really in a conversation. A lot of post-Nicki female rap is superhero rap full of heroines who are flawless rich sexual dynamo’s projecting an image they hope to attain(keeping it real: dudes are doing the same ish). Noname is brave enough to be herself without all the condiments.
On twitter someone was very excited about Room 25, very excited to be in a conversation like Noname can create. This person tweeted at her that she was the best MC in the world and no one else could compare. She replied with one word….Saba. While Room 25 and Saba’s Care For Me are comparably great albums, lyrically Saba is the god. His verse on this song is dizzying and down to earth and feels easy for him to do. These three represent a talent pool we will be talking about for years.
Listen to Saba-Care For Me, Noname-Room 25 and Smino-Blkswn to be in on the whole Chicago corduroy jacket rap scene.
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Tagged Ace, Blkswn, Care For Me, Chicago Hip Hop, Noname, Noname Gypsy, reviews, Room 25, Saba, Smino, song of the year