Mixtape Review-The Iron Way by T-Pain
T-Pain is the Mozart of strip club music. No matter how many changes he has gone through I’ve never given up on him because I know that to be true. I know he is capable of stifling musical intelligence and flawless execution on very silly songs about strippers and butts, even if he does go into the more silly than genius realm on occasion. Just listen to the T-Pain produced Booty Butt Ass off of his new The Iron Way mixtape with DJ Drama; I just kept picturing Luther Campbell from 2 Live Crew with one single tear coming down his face like “that was beautiful.” He has more range with his autotune usage than anyone else in music (proof of this starts two minutes and fifty eight seconds in and goes till the end).
The most educated critic had to feel that roller coaster nervousness during the first listen of The Iron Way. The Jay-z song D.O.A. changed T-Pain in a big way. It wasn’t a diss to him at all, Jay clearly took to task people ripping him off, but T-Pain took the hit and became unfashionable. Part of this was that he was already over exposed; part of this is that he’s a goof. This is the dude who complimented Ray J’s dick size on live radio when the Kim K sex tape leaked. People were ready to turn their back before they did. So when the first track ,Kill These N_’s, started and fed into the blistering rap diss Trust Issues we didn’t know if this was all angry rap T-Pain. Little did we know the supremely zoned out and darn near tranquil Sun Goes Down(Audio Push are perfect guests on this one) and Need To Be Smokin were to come. Really every kind of song was to come; this mixtape is twenty songs long. If you like enormous rap anthems with rewindable bars you need to hear King where Bun B goes bananas and Big Krit sounds like Denzel looks in Man On Fire. If your into braggadocio reggae influenced finger snap hip hop then play Disa My Ting. He also drops the really sticky sweet club love song Heartbeat where he says “I can’t control it; it’s like your running electricity through me!”
As cheesy and novelty as Hashtag is the story of the relationships straining is very engaging and well-constructed. It’s a perfect example of what The Iron Way gives you. Its genius; well sung, super listenable and genuinely evocative but cheesy as all get out. You have to find a way to embrace both to enjoy it. Like forgetting while watching a genuinely brilliant Kung Fu movie that these are dudes fighting on strings. By the way Pain can rap too; his verse at the end of 15 is acrobatic and venomous.
T-Pain is not in a position to fade out because he can do too much. He’s a very good rapper, producer, and the king of autotune singing. Dude can construct incredible melodies that sticks in your head and this T-Pain ,the post-D.O.A. edition, has a bit of an edge. He understandably feels betrayed by an industry that shuns him while re-purposing his sound. That means the gushy booty music like Ever comes alongside fiery anti-industry anthems like Personal Business. The imbalance is a perfect balance.
stream or download The Iron Way below:
P.S. I wanted to give you my favorite silly lines from The Iron Way mixtape since T-Pain just can’t help himself.
“She make me bite my fist, I guarantee you ain’t seen a booty quite like this” Booty Butt Ass
“Put my face in her booty like a vanilla cake” Did It Anyway
Best line is “You actin’ like your style fell from the sky. The good news is…you got it from a hell of a guy.” Relax
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Tagged 2015 mixtapes, Audio Push, autotune, Big K.R.I.T., Booty Butt Ass, Bun-B, D.O.A., datpiff, Dj Drama, mixtape review, T-Pain, The Iron Way
Mixtape Review-Beast Mode by Future x Zaytoven
I’m incorrect but I always think of Future as an amazing raw talent. The way basketball writers must have looked at Wilt Chamberlain. He’s not raw at all. The music always feels that way because of how he attacks it. A new project roll out for Future never encompasses a new direction with a different look and feel. He attacks what he does whether it’s about selling dope or buying cars or achieving love; always with no fear of seeming cheesy or emotional and always with the autotune at its highest setting.
When his album Pluto smashed rap music I called him king of the hookers, able to nail the chorus so precisely that you needed the song in your rotation. Not just his hooks but guest hooks. Beast Mode proves that the boundless energy it takes to throttle every opportunity is not just something Future brings to the hook, he brings it everywhere.
The whole project is nine songs long and entirely produced by Zaytoven, who has a great understanding of the push and pull needed in a good trap-ish beat. Zaytoven has been trending weird and minimalist at the same time, finding a way to make every beat sound signature and different at the same time. Listen to the sparse, strange Peacoat and you’ll understand. For Futures part he rarely relies on his R&B sensibilities on Beast Mode instead making his growls and verses catchy on Oooooh and even when his voice pulls into appealing croon it’s for the classic get-wealthy-with-me anthem No Basic which carries a heap of adrenaline pumped muscle.
As amped as No Basic can get you Where I Came From is a thousand times more subdued and doesn’t feel too far away from any other song on the project. Zaytoven weaves piano into his baseline better than 90% of producers and that sound fits Future like a glove. In a hushed melodic mumble Future talks about the feds coming to get them, selling out of his grandmother’s house, and lots of stark shocking images you may not catch if you get wrapped up in the melody. Maybe that’s the joke of it all. East Coast cats hear the melody and dismiss him but people that know how to listen to Southern rap can tell you that not only can Future sing and rap he does both about real situations. Even Real Sisters which is supposed to be about having a three-way with ladies and not caring if they are real sisters has a lot of penitentiary and trap talk.
I would also be remiss if I didn’t beg you to listen to Beast Mode in order to catch another fantastic Juvenile feature. They remake the structure of his Ha hit into Aintchu and Juvi is damn solid. He’s like the southern Jadakiss; wherever his solo album content may be (fantastic or forgettable) he still kills every feature in front of him and is almost on your top rapper list.
Watching Future make everything work on Beast Mode is like watching Wilt pull 40 rebounds and score 50 points over sweaty slow white guys and shaking your head like “man, the game is changing…” remember when we all thought he was just the new T-Pain? Feels like a long time ago.
Stream or Download Beast Mode below:
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Tagged Atlanta hip hop, autotune, Beast Mode, future, Jadakiss, Juvenile, mixtape review, Pluto, R&B, T-Pain, Trap Music, Wilt Chamberlain, Zaytoven
Songs of the Year-Invisible Girl by T-Pain
I’ve accepted the terms of my relationship to T-Pain. His albums are going to be mediocre to bad; on those albums will be placed two, three or more outstanding songs. Of those one will be a titanic smash for me that I could take time off from work to listen too all day. Invisible Girl is one of those off his mixtape Stoic and first let’s get the autotune thing out of the way. He doesn’t use it…Snoop Dogg/Lion uses it. He is an autotune/vocoder master. He doesn’t just set it for robot; he’s working with levels of warbling artificial vocals above all his peers. Can we give him credit for throwing the word translucent in here? Love that. He produces the track as well; this is a very talented individual. So why do his albums range from unimpressive to stinky? My hypothesis is a complete lack of quality control. You don’t make a supremely silly joyride like Invisible Girl without being the type of artist who commits to your ideas fearlessly and we all know that goes both ways.