Tag Archives: TI

Song of The Year-Recognize by Bun-B featuring TI & Big K.R.I.T. produced by Big K.R.I.T.

Song of The Year-Recognize by Bun-B featuring TI & Big K.R.I.T. produced by Big K.R.I.T.

by Dan-O

I’ve made the argument that the pop sphere is larger than it has ever been due to the ability to find anything. The gatekeeper role of radio and upper level music executives isn’t anywhere near as important…but I’m willing to make the opposite argument now. I think it is possible that due to trending patterns on social media we have less pop music than we ever have before. What happens is a new album drops (maybe its Eminem maybe its Nicki Minaj) it is just the largest name that week and that album gets blogged about and all caps shouted at by the whole world. So that giant internet information space turns out to be a giant garage with one car parked in it.

So while people were coming up to me saying “What do you think about this Eminem?!” I was shrugging and asking them if they had heard Bun-B’s new album Return of The Trill to blank stares. Firstly, I thought all the hip kids were pro-UGK now…shouldn’t we be supporting? Second, all the criticisms of Eminem’s Kamikaze are resolved within Return of The Trill.  Bun asserts himself without discounting the younger generation.

Production wise Bun linked with his greatest musical partner post-Pimp, Big K.R.I.T. The Mississippi mastermind produces half of the fourteen songs on Return of The Trill. In movies, TV, books whenever the South is portrayed it is either an authentic take or reeks of artificiality. You can tell when you press play if no one involved in making it actually knows or cares about the South. K.R.I.T. makes beats that are deeply southern with gospel flair (see Traphandz) and the same kind of speaker shaking movement peak UGK brought to the speaker.

These beats fit Bun like the perfect coat. On his best lyrical performance (Recognize)  he steps up to the microphone and says “My wordplay is intricate influence significant motherf**kin’ magnificence and my influence is integral charismatic and sensual f**king up your centrifugal. With trill pumping all through my ventricles gladiators and sentinals peep you through the peripherals. I see you p**sy n___as out the optical catch yo ass when its optimal…”  The song is one of the year’s best moments and while the album might get a firm friendly handshake critically it won’t get to be POP and you can justify that in lots of ways. You could say that pop music should be this or that and Bun doesn’t fit those parameters. Whatever.  Return of The Trill isn’t the best album of the year but it’s better than the junk  we spend so much time yapping about.

After you watch the video up top check out Bun breaking down the bars

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Song of The Year-I’ll Be Fine by Trae The Truth

Song of The Year-I’ll Be Fine by Trae The Truth

by Dan-O

More than any project before his new album Hometown Hero represents the uniqueness of Trae The Truth. His voice has always been raspy, stabbing, and relentless a fantastic guest feature flow to shake you from your comfort zone. Hometown Hero dresses itself to match. Thematically as honest as its narrator with features from people known for how real they keep it (TI, Boosie, Mozzy). Each song envelopes you in bass as he narrates harrowing stories that range from the stress of wearing awful clothes to the devastation of Hurricane Harvey. It is one of 2018’s best albums.

As great as the features are (particularly TI’s hook on Better Dayz) the song I’ll Be Fine is the absolute best. The hook stretches and relaxes as he explains the hurt and the strength/assurance he will use to move on. Trae wants to feel the pain of loss and not shut the emotions out but badly wants to control the pain. The verses carry that same conflict. He remembers the casket going into the ground in the first verse and wishes he could hug him one more time. As hard as Hometown Hero is it is still about caring deeply; for friends, family, about people who betray you, your own self-care, your city, state, world.

He swims along the deep bass and leaves any possibility of trunk rattling banger behind as he starts off with the verse, sung with both wistful distance and aged resilience. In Houston trunk rattling bass isn’t just for head banging anthems or turning up.  Trae has always understood how valuable time is and he doesn’t waste verses. Hometown Hero is for us to understand that he has people he is talking to and if it seems too serious to you just listen to something else. When he shares stuff like  “Time ain’t enough. Wish I could tell you how much it been rough. I had to face it. Everything through it was making me tough. My brother my friend everything bout me is still ABN loyal to death all till the day I’ma see you again.” It’s special because he has the fortitude to bleed in public emotionally without being at all manipulative. He’s not professionally sad instead he processes problems alongside blessings. Long live King Truth.