Tag Archives: Youngboy Never Broke Again

Mixtape Review-4 Respect by Kevin Gates & Youngboy Never Broke Again

Mixtape review-4 Respect by Kevin Gates & Youngboy Never Broke Again

by Dan-O

Hip hop people say the same thing to each other about Kevin Gates. We look at each other with a head scratchers facial expression and say “I think he’d be one of the best rappers in the world if he wasn’t…crazy.” Anyone who heard him interviewed on Combat Jack knows how deeply cracked Kevin Gates is but if we’re honest with each other that was the excitement of diving into The Luca Brasi Story in the first place. What we mean when we are talking about Gates as crazy is his oversharing. Gates is the anti-Drake. While Drizzy shares nuggets of his life they always feel as if they rolled off the conveyor belt of a 5 year plan to keep his massive audience enraptured in the persona of his character. Gates will talk about having sex with his cousin on twitter, he’ll drop two bars about eating butt that mess up your whole listening experience.  This is the Gates situation it isn’t a problem because it is what makes us want to hear every new Gates verse. What is this madman going to say next? The downside: some things are so messed up you can’t unsay them to an audience and it ruptures the relationship.

Enter NBA Youngboy who last year stamped himself into the center of the hardest worker conversation. This year he put out the long and fantastic Until Death Call My Name in April and now he is back with this four song collaboration with the Michael Madsen of New Orleans rap music. The John Henry-like focus Youngboy has in building his name up as an MC who makes music both deeply personal yet super fun is infectious and as a result Gates hasn’t sounded this focused since Islah.  Gates is as good as anyone at catchy hooks, he knows exactly when to let his voice get weird and crackly amidst the melody. Youngboy is the sure thing rapping with intensity on 2 Hands while Gates comes into the chorus laid back in a semi-hush. These two seem to get each other on a deep level. 4 Respect is the fastest EP of the year, the New Orleans pace has always been quicker than most places but they pack songs like TTG with visceral imagery about prison and cigars. Even a two minute song like Head On slams, it could easily just have been another useless trap song about banging my girlfriend (lot of trap songs about banging my girlfriend) but Gates flow is legend and the Youngboy chorus is ill. They get a lot done in a short time.

I think these two should form a rap group and never look back. Youngboy can keep Kevin out of his own head and Kevin can add some odd kinks in the pounding propulsion of Youngboy.

stream or download 4 Respect below:

https://www.datpiff.com/NBA-Youngboy-Kevin-Gates-4-Respect-mixtape.908528.html

 

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The Vulnerable Layer

The Vulnerable Layer

by Dan-O

A lot of old school hip hop heads do a fair (or unfair) amount of complaining about pink hair tight pants and tattoos. These new kids on drugs trap beats and repeating words over and over again…are a much smaller percentage of hip hop than you might think.

I noticed this last year. Youngboy Never Broke Again dropped an incredible project called A.I. Youngboy with all the bounce and flavor of a great New Orleans Hip Hop album and has been following it ever since with searingly personal content. The mixtape that followed was called Ain’t Too Long and wasn’t nearly as fun but instead presented a Boosie level of personal introspection and meditation on loss. He has continued that on his long and very good Until Death Call My Name. At the same time from the well watched streets of Chicago Lil Durk dropped Love Songs For The Streets and it wasn’t weird at all.  Durk had begun the year before that drawing the camera lens closer and closer to his actual life friends and troubles, creating a relationship with his fans unlike any other young Chicago MC. That is really what stood out about this in 2017. These two are young! Durk is 25 Youngboy is 18 and they are opening up on tracks in ways we are not used to seeing from mainstream hardcore rap hungry young mixtape people.

This year has compounded the trend. Two very good albums that traffic in staggeringly personal content from rappers born in the mid to early 90’s have dropped. The most recent is from the production mind of The Internet, one of the best groups in hip hop. After the shockingly great 2017 Syd had I was prepared for how good Patrick Paige II Letters of Irrelevance could be or at least I thought I was.  The more I relisten to it the more I shake my head at the intelligent design of it. The first song is called The Best Policy where Paige declares his problems with adulthood, his abiding desire to speak the unfettered truth and it sets the stage for what he is able to accomplish. The sonic landscapes shift with a sure hand and dazzling accuracy as we go from a perfect D’Angelo recreation (Voodoo) to a slapping great time with G Perico and Sareal (on Get It With My N’s).  All the while if you listen he parses real truth of his topics. The end of the album makes it unignorably resonant. His Ode to Inebriation says “I don’t need a glass man F#$* a flask drink it in just what I bought it in just like my Dad”  in a tone so heartfelt and angry that it is awkward and rewarding. You watch him deal with his demons and did I mention that the song after that (The Last Letter) is to his dead Mother?

Letters of Irrelevance just came out 05/18 it will no doubt grow on me over the months to follow. The project that has come into my top 5 albums of the year through the sheer force of its personality (released in April) is Saba-Care For Me.  Saba deserves all the credit in the world for devastating lyrical work from tales of his uncle on Life to savvy intellectual critique of the music industry on Grey and possibly the best lyrical song of the year in track 9 Prom/King. In seven minutes and thirty one seconds he weaves an albums worth of content together and it’s not just pain. His pen paints friendship hormones nervousness unexpected calamity and everything in between. Its life in one song and while Prom/King stands out the other songs carry a similar weight. The other people on Care For Me that deserves a ton of credit are the musicians, great bass play, guitar work and subtle keyboard work that never overload the canvas allowing Saba to flourish and deliver on the promise of his last release Bucket List Project.

If someone tells you these new kids are trash ask them if they have heard Noname, Smino, Saba, Patrick Paige II, Isiah Rashad,  Kamaiyah, and the list grows everyday. This is not a generation with a lack of artistic perspective or want to experiment it is an industry that gives you what they know how to make over and over for fear deviation will cost MONEY. So if you want depth pay for it. You’ll see more of it become visible and that necessary vulnerability will nourish your playlist.

Saba-Prom/King

https://www.youtube.com/watch?v=_6ZsSWlcEDo

Patrick Paige II-The Last Letter

https://www.youtube.com/watch?v=XFskaQNhcbE