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Five Song Guide to Weird Prince Music

Five Song Guide to Weird Prince Music

by Dan-O

Everybody loves Prince. I am not gonna waste full sentences telling you what makes 1999 or Purple Rain great. That is on you to figure out. One of the great things about Prince is how much crazy stuff he has out there and how darn good it is. All of the songs below are from albums far outside his “best album” discussion. All of these songs (in my eyes) are as good as any of his best work. He was an artist with a lot of dimension and I hope if you hear any of these for the first time it helps you get closer to how much of a unicorn this dude was.

Cherry, Cherry from Exodus

Exodus from 1995 is a big sloppy funk album by the New Power Generation that is not for everyone. It is definitely for me.   Exodus is messier than other Prince albums, it is thick with horns and bass in the way peak Parliament is. Prince knew how to make his work digestible; to teach a funkless white audience how the genre worked. By doing that he spent a lot of time grooving at 70% of his powers. Exodus gives him the chance to concoct overpowering funk. Get Wild is loud and very Digital Underground. Cherry, Cherry is the masterpiece for me. It feels like it could have been on Purple Rain as a bonus cut but it’s him years later. This song is timeless in how it takes that glimmering preciousness adds finger snaps, basketball, and maintains the real feeling of starry eyed romantic connection.

Don’t Play Me from The Truth

You’ve heard the stories about how much of a talent Prince was with the playing of multiple instruments. He was such a good composer it’s hard to isolate his talent on any given instrument. Prince was too much of a mastermind to flex outside the needs of the song. Best place to really get in touch with the ability he had on lead is an acoustic guitar album called The Truth. It is one of my favorite Prince albums PERIOD. The warmth and precision of his guitar work is miraculous but just as fly and once a generation is the swagger he has along with that ability. He brags about being over 30 speaking proper English and not smoking weed. This song is about being grown and past foolish things. That moment when he says “Don’t play me I already do that in my car,” is the illest brag a pop star ever made. Most people do acoustic albums to spill their feelings. Prince is Prince no matter what the form. His formula is too perfect to change.

Black Sweat from 3121

Its criminal how the listening audience turned away from Prince in the mid to late 90’s and on. 3121 is an album from 2006 and It is one of his best. Black Sweat in particular is one of the top five nastiest funk songs he ever constructed. My face screws up every time it starts. The hook is incredible, the drums are next level. You should listen to this song but you should make sure you have nice headphones. If you don’t then take it to the car; trust me.

A Case Of U from One Nite Alone…

I might sound whiny about the left behind music hanging around one of music’s most important careers but I am not mad at anyone. Prince was so productive he buried treasure all over the map. I love Joni Mitchell A LOT. I don’t love her like Prince did. He pulls A Case Of U from Joni’s most pulverizing and vulnerable album Blue from 1971.  Prince lets his voice tip toe through the emotional vulnerability and stand to declare strength the way she always did. He gets the mixture. Throughout One Night Alone… his piano work is staggering. His sense of time is exact on a mechanized level. You can listen to him play piano and guitar (on The Truth) so well you’d think he was an artificial intelligence robot sent from the future to teach us music. Add to that how intuitive his song selection musical vision and vocal tone  is and it is an eye opening listen.

Paisley Park from Around The World In A Day

Prince loved Stevie Wonder but he loved Joni Mitchell just as much. He was very influenced by the psychedelic music of the 1960’s. Around The World In A Day is an exploration of the spirit brought on music by The Beatles and others. The reason it doesn’t get much love outside of Raspberry Beret is its placement as follow up album to Purple Rain. No one expected an exploration of psychedelia following a world dominating classic. Wouldn’t you just do that again?! You would. Prince wouldn’t. Outside of all that contextual jibber jabber Paisley Park is a hypnotic song. His vocals float above the hammering drum machine and the characters he etches go through sadness, forgiveness, and growth. He cares about everyone he mentions and paints them like Renoir watching dancing couples. All the colors are bright and lustrous.

Most of these songs and albums mentioned are on your basic streaming services but Exodus could be tough.  Here is a youtube link for the album in case.

 

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Mixtape Review-Savage Holidays by Boosie Badazz

Mixtape Review-Savage Holidays by Boosie Badazz

by Dan-O

Savage Holidays is the greatest Christmas rap album of all time. The ability of Boosie to be able to take his superpower (turning painful stories/imagery into stadium sized anthems) and apply it to the holiday season is nothing short of exhilarating. It is not just his pain either. At the end of the title track he directly inhabits the perspective of his Chicago audience and wears their distress “he was finally F*&$in’ shinin’ man that N_ he was bossin’ last year he was rappin’ this year he in a coffin.” The whole project is dedicated to the frustration and terror of being alive in 2019. It is as if Boosie spends his career dissatisfied that the rap world pretends everything is going so well when they know the truth is harrowing.

Death stomps through Savage Holidays leaving deep footprints. Santa Claus of The Ghetto builds up the dope boy as someone who gives back to the community, shines so the poor kids can dream to be as wealthy but the chorus begs for him to stay free as long as possible. Prison or death can take the dope boy away in the wrong swirl of a moment and Boosie makes sure his chorus is pleading, the song feels like it is from a ghetto kids perspective not his. It’s high level writing.

On Christmas List YFN Lucci talks about robbing for PJ Masks, Rich Homie Quan talks about getting drugs in his stocking but the first line Boosie says in his verse is “I just want to be with my family for Christmas.” He spits it as hard as any threat he’s ever hurled; levels it at the loneliness he explores without applying branding tactics to humblebrag package it.

Boosie is not all soul bearing, his sexual appetite is pervasive throughout his work and he certainly pushes forward with that on Savage Holidays.  Pussy Got Me Like is dick-on-ya-buttcheeks straightforward and leads into Cold Outside which is significantly less creepy than Baby It’s Cold Outside. He’s clear within the song that he wants to smoke up, laugh, hang out and have lots of sex which seems like a more balanced relationship than the original version. While some will say ending the song with a call for his female audience to twerk is less distinguished than the original I think it is distinctly more honest.

If you are concerned about offensive things than yes, temper your expectations. Boosie is as full of offensive thoughts as he is meaningful introspection and empathy. This project has a song called The Bitch Who Stole Christmas about the time honored seduction as robbery one-two punch. He is livid and shouts the details as if it happened minutes ago and the beat is haunting. My favorite song is This Christmas where his anger tires and over a scratchy guitar he mumbles about letting his people down, going to prison. He uses his voice as an instrument extending words and singing in a way that tortures the melody. The chorus is “This Christmas won’t be like the others. Bells will still be ringin’ children still be singin’ but things won’t be the same at all. I done let my people down, prison walls they closin’ in. Try my best to shed no tears but they fall when holidays are here. This Christmas…” Can you imagine how many people are spending Christmas with these feelings (especially in a country that adores locking people up)? With this pain? Now imagine having Boosie give you and your family this soundtrack. What kind of fan loyalty would you have at that point? That is how Boosie can remain so foundationally strong while never popping up in the trivial hip hop trends. He works from a base that needs him more than they need anyone else.

Stream or download Savage Holidays below:

https://www.livemixtapes.com/mixtapes/48920/boosie-badazz-savage-holidays.html

Do Not Let 2018 Go By Without Hearing These Albums

Do Not Let 2018 Go By Without Hearing These Albums

by Dan-O

Niko Is- Uniko

It’s crazy to think I’ve been growing alongside Niko Is for at least six years. When I found him I had just gotten into Brazilian Soul & Salsa music. The combination of that with bread and butter boom bap basslines all provided by his partner behind the boards Thanks Joey (Joey Creates) really drew me in. On top of that Niko Is happens to be a twisted dude. One of these guys who can rap for hours off the top of his head because within his head is chaos. On this album alone he claims to get his rhymes from a Ouija Board and to be the  Raoul Duke of the rap game. Look up Raoul Duke and you’ll understand Niko Is a lot better. He’s a trip.

Turns out he made a video that articulates how weird he is.

 

Uniko is a coming together of everything the two have learned. Joey has figured out how to take seventeen songs and link the songs so that the transition from Meet Me In The Future to Silk is a gentle glide. He still gets to utilize different moods No Sleep and 3rd World $$$ are semi-traditional rap beats while Mental Abstracto Interlude is Congas, wind instruments, and dolphin sounds. My favorite moment is U Could Be My Gal which my wife asked me to change when I played it in the car. I defended the song by ranting about how, for a hitting on you song, it was positively hypnotizing. She held my gaze and said “It’s great and it is hypnotizing that’s why I need it not playing while I drive.”

The growth for our emcee is not strictly bar to bar. He’s always been a talent; he goes with Talib Kweli to do interviews and busts impressive freestyles all over the hip hop landscape. That is his life’s work. What he’s been able to do in Uniko is make better use of the sonic pace. He lets tracks breathe in the right places, let’s his guests take the stage, knowing he will have more than enough time to monster out on songs. One of the songs he does this on is Focused Maaan where he says “I’m from the old generation where we base it on our own creation.” Very few people love hip hop more and Niko Is knows that while other rappers will get hotter quicker than him he’s got a life in this world. Look at the two biggest name features(I do not count Kweli because that relationship is established) on Uniko: Styles P and Curren$y both known for consistent lyrical content over a long period of time, not gamblers but craftsman. I’m so happy Kweli has put him in the position to share rooms with these cats. He deserves it.

Kodie Shane-Young Heartthrob

The worst thing to be in rap is the present. Ask Kirk Knight. He’s an incredibly talented NY rapper who released an album named liwii that sounded perfectly 2018 but guess what…I’ve got 2018 up to my ears. In rap you are better off sounding like the past or the future. If you can take the mental image people have of what they loved about the genre and give it to them twisted with new elements you have a place. If you go the other way and sound like the evolution of what will happen you’re in an equally good spot. Kodie Shane’s Young Heartthrob album is the future.

I’ve been calling Young Heartthrob lesbian player music for shorthand’s sake. Shane has worked hard on breaking down the formal walls around hip hop song structure. The separation between chorus and verse is fuzzy because she is very nimble when stepping between singing and rapping and imminently capable of mixing the two. Her duet with Trippie Redd makes perfect sense and really plays into the best skills both possess.

New school production with 808’s popping, slick singing and mostly clean verses despite an F word here and there. I put this album on while my five year old son and I played basketball. We both had fun and before I knew it we were most of the way through the album. I can play Young Heartthrob around anyone and they just get it. Kodie Shane presents an incredibly easy listen that never attempts to impress you with sharp edges. It has real stand out songs like Sing To Her, Flex On Me, Love & Drugz II my hunch is that while she might not get a ton of press people are studying this sound and a year or two from now someone will dominate the charts doing a whack variation of what makes Young Heartthrob great. It won’t put a dent on the bright future Shane has.

Check out the future

Locksmith-Ali

Locksmith would be my runner up lyricist of 2018. His album No Question with Apollo Brown was something I came back to over and over again when big name projects proved plastic. Locksmith guts himself every time he puts pen to paper. That’s actually not accurate. Locksmith’s pen is a grenade that blows everything wide open. He might take himself to task for a previously homophobic state of mind, he might take the genre to task for whining about Kanye but still copping his album, or he might take on celebrity culture, poverty, the whole world can get it.

He pours himself into his second album of 2018 Ali which lets him utilize his speedbag angry flow as a way to stay ahead of his even more hostile mind. I don’t want to give the impression that he is the Lewis Black of rap, he understands pace and mood. The song Tense even flirts with singing but even more importantly it allows him travel inside himself in front of us in a sober serious way. “…I thought love was acceptance. I thought cutting you off was protection. I thought being alone was being strong and never needing a hand was being more of a man, I regret that then.” In a gender study sense Locksmith is a very hard-nosed heterosexual man who is acutely aware of what that macho perspective has cost him.

Every song is dense with meaningful discussion. Everyone should hear Prison to help understand the world better. No Lies is such an amazing song about America. I feel incomplete reviewing Locksmith because to do it accurately I would have to use all my strength to dig out every corner of what he’s saying and then drop it on you. That’s the only way I could match his effort.

Click below and you will know and knowing is half the battle

 

FREEMUSICEMPIRE MVP OF 2018 IS ROC MARCIANO

 

FREEMUSICEMPIRE MVP OF 2018 IS ROC MARCIANO

by Dan-O

I was sitting with a table of people I respect. All involved are my age within five years. We were talking about music this year and they launched into how great Eminem is and his beef with MGK. It was difficult to find the words to explain why Eminem is not, in fact, great anymore. Why someone less lyrical like Kodie Shane is a better emcee. He is technically great, no one knows more words and can blow out a show stopping 16 like Em but that’s not what makes a great rapper.

An artist is responsible for not just great brushstrokes but vision. The artist masterminds the color scheme the physical position of characters the looks on their faces. The artist is in charge of what all of that means and adds up to. So what is the sum total of those songs? What do any of his last few albums mean… in Shady’s case very little. Roc Marciano is a study in the opposite direction.

Our newly crowned FME MVP of 2018 released three albums this year. Each handled with a curators eye; three albums with a total of 36 songs which averages to 12 songs per album. Each one shading his story a different hue, taking a step further in creating a full landscape while maintaining a two fisted approach to punch lines that would have made prized pugilist Rocky Marciano proud. Once the landscape was built the album was over and the promise of another was only a few months away. The process is a much better one than the massive data dump of artists like Post Malone/Fetty Wop where the album never ends and doesn’t really feel like it began.

I am the first one to admit I don’t have an objective view of the scene Roc exists in. My favorite lyricist in the world of rap is Ka who is Roc’s right hand man. I still remember Roc’s voice escalating when Combat Jack (R.I.P. the podcast god) told him he didn’t really get Ka. He was passionate about how dope Ka is about as passionate as I am in selling Ka  to those around me who have not heard him. I think of Ka as the only emcee Roc views as adequate competition and seeks to surpass. This year he did it.

His resume: blew Busta Rhymes off a track, did multiple songs with Black Thought and held his own, impressed Royce Da 5’9 so much with his feature that he drew very specific praise from him on social media. Royce talked about his ability to use space, letting the track breathe for a few beats only to swagger back in. In boxing terms Royce has incredible hand speed he never stops throwing meaningful shots. Roc is Sugar Ray Robinson with all-time powerful lines but he comes in close unloads in combinations and gets out; he has a rhythm that keeps you off your toes at all times. That isn’t just flow it’s release schedule pricing and merchandise. You never what is coming from Roc. In 2018 great artists wanted to be on songs to see how real this was in their presence.

Attached to this review will be my list of the 38 flyest things Roc said in 2018 (You will notice songs having multiple entries that is not me being weird Roc is a damn beast). The #1 entry is from the song Wild Oats (off of the collaboration album Kaos he did with the great DJ Muggs) and I think it explains in two sentences the central meaning of his year. “I used to think School was for chumps. Now I’m in Bermuda by the pool with the trunks, books by the bunch, just to think I was a crook once.” Roc Marciano’s process has been a long form explanation of the things he has gone through that lots of his peers didn’t of the bitter determination he uses to overcome adversity but also of the beaming gratitude underneath that bitterness. As the sun shines on his face and he runs his hand over the hardcover of a book he’s reading. It is the gratitude that makes him want to dig for the wildest turn of phrase to boast that growth in his next rhyme. This isn’t a chain or watch brag it’s the maturation of someone who could have been dead or unknown by now. 2018 was Roc Marciano’s best year and for his audience it was a gift. The secret of it all is that he sees it the same way.

38 Fly things Roc Marciano said in 2018

  1. “I used to think School was for chumps. Now I’m in Bermuda by the pool with the trunks, books by the bunch, just to think I was a crook once.”—Wild Oats
  2. “I’m like Huey Newton sitting in the king’s wicker chair with the pistol near. My face is chiseled into silverware with care.”—-Amethyst
  3. “My B__ like Tracy Ellis Ross, don’t ever sell yourself short.” —Dolph Lundgren
  4. “Don’t be a dick you know I’m sensitive. Don’t let me catch you talkin’ shit about my mamma biscuits bitch!” —-The Sauce
  5. “Why you sweatin’ me then and questionin’ who I’m in bed with? For the record, your breathe stink.”—-The Sauce
  6. “Might need a hot air balloon to get a real view of my hairdo.” —-Aunt Bonnie
  7. “Shit I ain’t playin’. I sit down and eat at P.F. Chang’s then leave without payin’.” —-Consigliere
  8. “Who else since Prince can fit my Trench?”—White Dirt
  9. “The Mercedes ain’t rented. B— I was saving up to get it.” —-CVS
  10. “I rap with my nose up with my tux and my glass of mimosa ‘oh you think you know so much'” —Kill You (laughs afterward)
  11. “Watching Harlem Nights on Chartered flights.”—White Dirt
  12. “My shining bright might turn the night into day. I’m a Viking I might bite your face.”—Bohemian Grove
  13. “You n_’s just follow we changed the business model.”—-White Dirt
  14. “Fox fur on my evening coat. I gave these heathens hope.” —Respected
  15. “I prefer shrimp and lobster, my posture like Kevin Costner…”—Wormhole
  16. “You came when the culture was dead. I shocked the game so it rose from the bed. Frankenstein with the bolts in his neck.” —CVS
  17. “My shine still flow from behind a blindfold.”—Shit I’m On
  18. “I was clean when Max B was singing off key.” —-The Sauce
  19. “Every half a bar is worth a Jaguar.” —Aunt Bonnie
  20. “I blast the chrome all you see is ass and elbows.” —Bohemian Grove
  21. “I leave ya pockets with Bugs Bunny ears.”—Happy Endings
  22. “I’m with that white girl I’m in that sunken place.” —Bohemian Grove
  23. “If I was you and mad at me I would be too. “—Sampson & Delilah
  24. “The Bentley mint green I need a pinky ring.” —Rolls Royce Rug
  25. “Life is a jungle not a jungle gym.”—Wild Oats
  26. “You was never sturdy a little birdy told me this. I said you can’t compare goldfish to Moby Dick.”—The Sauce
  27. “…speak for the voiceless. I spent last weekend eating with lawyers the cheese ain’t good enough reason to be exploited.” —-Sampson & Delilah
  28. “Always had a scheme to get by in the crème Fila.” —-Amethyst
  29. “My tall thing like Lena Horne in a leotard.” —Wild Oats
  30. “All my shit is tailored all your shit is whatever.” —Dolph Lundgren
  31. “Lookin’ self-absorbed in the Porsche, Fire lines they thought I wrote these lines with a welding torch.”—Wild Oats
  32. “They gentrified the game, that’s when the god came.” —Aunt Bonnie
  33. “You see my neck we could never be neck and neck.” —Wormhole
  34. “No matter the platform the ho’s gon’ clap for ’em.” —Rolls Royce Rugs
  35. “Listen Sugar Tits, just choose a pimp.”—Wormhole
  36. “…but still this shit is not by force it’s by choice.” —Rolls Royce Rugs
  37. “For what a Phantom costs I’ll blam at your thoughts.” —Shit I’m On
  38. “Prior to my first release they said the East was done.” —Kill You

#Bandcampgold-Nina Simone & Lauryn Hill-The Miseducation of Eunice Waymon by Amerigo Gazaway

#Bandcampgold-Nina Simone & Lauryn Hill-The Miseducation of Eunice Waymon by Amerigo Gazaway

by Dan-O

I’ve written so much about how great Amerigo Gazaway is and monologued at people about him so often that finding new great things to say will be a challenge. It’s like finding new ways to tell your wife how special she is after fifteen years. Giving it a shot: Gazaway has always been brilliant at taking two artists and weaving their work together one modern hip hop giant and another older soul head the difference this time his mission is more apparent. You can see in the title what you get from the listen, he is using Lauryn Hill to teach Nina Simone. I think you can learn more about Nina’s work from The Miseducation of Eunice Waymon than you can from any documentary (I’m not even going to talk about that movie) about her.  Nina like Marvin and Stevie before are focuses for Gazaway because they are the source of all the samples. Dj’s and producers understand how deeply dope Nina was but does the average listener? Nope. They just sing along to the loop.

You should know more than the documentaries will tell you. She was a tortured soul but that’s not enough. She could squeal coo bellow and breathe life into a corny old song like Cherish. You can hear her do this in the background of To Zion as Lauryn takes the verses she is somewhere in the background living emotionally through a reverberating hum. She could find pain in her music, yup. More importantly she could find delicacy and delight just as extreme as her heartbreak. Listen to Nina on the opening of The Sweetest Thing. She makes so much of each moment we have with her. Gazaway instructs us to admire how gallantly finite she always feels.

The project is full of the best skits where Nina talks about very important parts of who she is. In one, she talks about how kids didn’t want to play with her they just asked her to play a song. Another skit talks about the duty she had to protest music for the betterment of her people. Putting all the skits together it’s a maddening position. To be isolated from your people yet completely dedicated to finding justice for them. What an incredibly American journey.

Another plus for me on this project is hearing peak Lauryn like I haven’t in a long time. Full disclosure: old Wyclef production on those Fugees albums doesn’t hold up for me. I don’t listen to them a lot. On Take It Easy I’m able to hear Lauryn spit and Nina kills it, the horns are great. Fu-Gee-La was a great song originally but I love this version so much better.

I’m not a music guy so I’m not sitting back wondering where he got these stems from. I’m so happy to have Gazaway as a dope college professor teaching me the depths of a subject I dearly love. It doesn’t matter how you feel about either of these artists or how you imagine this will sound. You’re wrong. it is way crazier. Press play.

Stream or download The Miseducation of Eunice Waymon below:

https://amerigo.bandcamp.com/album/nina-simone-lauryn-hill-the-miseducation-of-eunice-waymon

Song of The Year-Westbrook by J.I.D. featuring A$AP FERG produced by Christo

 

Song of The Year-Westbrook by J.I.D. featuring A$AP FERG produced by Christo

by Dan-O

It’s exciting when a new voice comes into full bloom for the public. In March of 2017 when J.I.D. put out his album The Never Story the underground publications sang about it and didn’t stop until the end of the year. It was that dope indy film that didn’t have the budget to be as deeply entrenched in the culture as it was. What I love most about J.I.D. is that he got that bubble up and decided his next project needed to ratchet up the effort/efficiency/entertainment value. He’s a clutch player. Dicaprio 2 is so good that at times it feels like being trapped.  Despacito Too and Mounted Up have smash mouth minimal production feels so as to leave you face to face with the man mountain of syllables (feel free to spread this description of his ability). When he has help he’s superb. Whether it is Bj The Chicago Kid, 6lack or Method Man he finds enough space to sacrifice for his guest and they shine.

A single line from a single verse really messed me up. That is on my favorite song from Dicaprio 2,  Westbrook. The beat chimes like Christmas then stomps your speakers as Ferg brings perfect sneering energy on the hook but at a little over halfway through the song J.I.D. says

Live life like a baby that was dead at birth

But came alive and f—ed the nurses

 

Throughout the verse he is chuckling to himself just plunging into the depths of his sick mind and dumping it out. I can’t lie I was very excited by how deeply inappropriate this is. This is a hip hop thing connected to the feeling NY had when Nas claimed he went to hell for snuffing Jesus. We weren’t excited to see smug old Jesus finally get his it was the discovery of a new voice, a new mind we can connect to who might be weirder than anyone we know. Similarly, no unringing this bell; this kid got Joey Bad@$$ and Meth together and wrecked it next to both of them. You can read other reviews to hear where he’s from what his social media footprint is like. I’m old and not going to waste space.  I just want to pull up a chair and watch the young man spin this cadence till the whole world rings with it. Dicaprio 2 feels like being trapped in a place your body won’t let you leave.

 

 

 

#Bandcampgold-Resistance by Brandon Coleman

#Bandcampgold-Resistance by Brandon Coleman

by Dan-O

Albums have hearts and souls. I need all of them. My favorite Freddie Gibbs album is ESGN because he was so angry at Jeezy and his old label for mismanaging him that his mind was spiraling down the most angry heinous pathways possible and some days I’m there with him. That album has a heart for the worst days. Resistance has the opposite heart. It has love and joy and funk. It makes my five year old and my wife dance together.  When the horns start on the song Sexy and the bass drops my family loses it.

I didn’t know about this album until I went to see Kamasi Washington live. Coleman is his pianist and Kamasi stepped back so he could launch into his lush composition Walk Free. It has the soul of a Donny Hathaway love song with gentle instrumental touches and admirable composition. I vowed that the next wifi connection found would bring me to his album!

The kids say things like “It’s a mood” and sound creepy to me but this album is one. Brandon Coleman does his Roger Troutman thing through the talk box but he doesn’t lean on it. It’s not a shtick. He’s written real songs that are well formed and funky which leaves the Vocoder as an additive you forget about after a while. While Sexy is funky and lets loose it is followed by There’s No Turning Back which is its equal in glimmering smooth horizontal excellence. It glides by at two minutes and twenty seconds leading into the title track which is even shorter (one minute and fifty one seconds).

This is where I confess that you’re not me and you may not have the same taste. Coleman is part of that West Coast jazz contingent with Kamasi (same folks worked on To Pimp A Butterfly with Kendrick). His influences are people I LOVE LOVE LOVE from Freddie Hubbard to Troutman to George Clinton to Dre to Quik. I am a die hard West Coast sound guy and nothing is funkier than Addiction (with killer guest work from Sheera).  These songs slap and groove while maintaining a high IQ in musical execution.  Most people would have made a song like Love the somber/poignant come down in the album but he turned it up, made it bounce like a pop song so that the concept can taste as good to your ears as it should to your heart; as it should to your everyday interactions. This is my kind of dude so Resistance is my kind of album.  The boldest protest made by it is the earned smile it wears while playing in this world of ghastly madness. I wonder if Stevie Wonder has heard this album?

Stream or buy Resistance below:

https://brandon-coleman.bandcamp.com/album/resistance-1