Mixtape Review-Traffic Jamz by Scotty ATL

Mixtape Review-Traffic  Jamz by Scotty ATL

by Dan-O

When Scotty ATL is about to go to sleep and he’s alone just gazing into the ceiling with his private thoughts, he has nothing to regret about how he has attained his success. He doesn’t have to wonder if his evolution into the spotlight is due to some powerhouse co-sign or novelty trick/gimmick. Scotty ATL is really special because he loves the fundamentals.

Over the course of his career he has done nothing but improve on his verses, chorus’s, song composition, and beat picking. All the while he maintains that southern slurry snarl that twists how every word sounds. In his hands it’s galvanizing and his content is right down the middle of the field running like Emmitt Smith. Stuck In Traffic has him leaving semen on ladies tonsils and striving to be the very best; while On The Road has a silky chorus about touring the lyrics are shots right from the hip “they might talk under they breath they respect ya, whether they hate or love it they checkin’” it ends with a spoken word call to stay consistent and work hard, no laughing no BS about how easy making hits is.

Traffic Jamz is superb riding music.  Cloud IX Go Up is one of the very best songs of the year. This is the kind of DJ Toomp beat that makes you defend rap music to your elders: its soulful, bluesy, and begging to be turned all the way up. Scotty knocks the chorus out like a home run and shout sings “RIP to my lost ones on my heart and my T-shirt.” He’s never ever come off as one of those ATL weirdo characters that entertain you but you wouldn’t want to hang around. I would invite Scotty ATL in my home; introduce him to my kid, just based off the strength of character in this music.

The production is so impressive because he doesn’t need to lean on the immaculate DJ Burn One anymore (although the Keith Sweat beat he did on this tape made my jaw drop when I first heard it). Nine songs produced by at least 7 different producers means that the tightness of the tape, the way each songs feeds into the next and makes sense, is at least partially a credit to Scotty’s ear. MC’s don’t get nearly enough credit for having a great ear. They only get dinged when they don’t have it.

Can I tell you the coolest thing about Scotty that Traffic Jamz showcases? He is one of raps great collaborators. Last project he had several songs with Trinidad James and actually made me into a fan of Trinidad; they were so good. This time around he gets Big Krit, Spodee, and B.O.B. and each one of them sound perfect next to him. Spodee stunts ridiculous word play on The Hangover in a cadence all his own. Mr. ATL’s ability to work with others is the outcome of what I stated earlier, people just feel comfortable around this dude and Scotty for his part doesn’t seem to worry about the strength of the guest. You get the feeling Rasputin could come back from the dead, walk onto his studio with a verse and Scotty’d feel great about his 16.

stream or download Traffic Jamz below:



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