Free Album Review-Fuck The Money by Talib Kweli
At his worst Talib Kweli is still a tremendous talent. He’s just an unlistenable unlikable one. In the very lowest stages of his career you would find him stiff and professorial; determined to teach you how OPEC really works. At his best he is how he is now on his new free release Fuck The Money.
I’m not here to make the case that he’s changed. The case is pretty straight forward; Talib has such a keen eye for talent that he needs that chemistry with people to push him. The right chemistry. Javotti Media has a bunch of artists he’s very happy to work with. If you listen to him on the Combat Jack Podcast describe the strengths of each artist, he does so with passion and vigor the kind not naturally apparent during the Blacksmith start up. Let me use Niko Is as an example. During that interview he called Niko one of the best freestylers he had ever seen and that is very much Niko’s style. He’s loose and relaxed, winding words into a thick soup of sometimes silly yet thoughtful imagery. Not only does Niko show up alongside Kweli and Ab-Soul over an Alchemist beat on The Venetian, anyone who heard Brutus knows that this sounds like a Niko song. One of the best beats on Fuck The Money comes from Thanks Joey, Niko’s primary production partner in crime. The joy and fluidity of Niko’s style(and team) warms and inspires Kweli to go harder and have fun doing it.
I’m not trying to take credit from Kweli here. It’s an amazing listen. Miguel shows up to demolish the hook on Echoes yet our narrator doesn’t see the status difference between Miguel or Kendra Ross who does the hook on Baby Girl. Ab-Soul’s verse is dope on The Venetian (I still think Niko runs that song) but so is Casper Nyovest on Fuck The Money. Part of what makes Kweli special is that when he hears a new artist bubbling over with talent he doesn’t get resentful or jealous, he gets excited. My favorite song is probably He Said She Said where he gives you the trials and tribulations of a new artists journey the rise (“he adored by all them bloggers, they describe him down to his boxers”) and fall (“They celebrate in his self-destruction it makes for excellent copy”) without ever getting a chance to let the music speak. The song shows empathy for the new artists that he’s dealing with. It doesn’t hurt that Farhot crafted a Stakes is High sounding banger of a beat that will destroy your car speakers while making you feel great.
Kweli sounds so damn comfortable. Whether he’s namechecking Niko while he screams crazy talk from the couch (Gratitude) or reuniting with Styles P on Fall Back. The production team does not want any part of laid back neo soul. This music is exciting. The title track is also produced by Farhot and its nasty helping push Kweli into double time splendor. Amadeus produces three tracks including the trap sounding Nice Things which comes off well.
So yes Fuck The Money is partially great because less concept and more joy is better than the other possibilities but…it does have a concept. It’s his evidence for each hip hop head that when you are putting together your own personal hall of fame in your mind, you can’t judge that greatness by awards or sales. If you think Jay is great because of his success you’re missing all useful criteria for judging skill. Kweli really is one of the greats and I’m glad he’s letting people know in a way that best suits him. Hell I knew it that night he played a pool hall round my way and killed it by himself in a leather jacket. He went longer than any hip hop act I had seen at that point and I left thinking he could have gone all night. Some people just have it in their bones and they love the infinity of word choice. Kweli is like that.
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