#Bandcampgold-Songs.4. People. Who.Break.Bread by Niko Is produced by Thanks Joey
More than anything else Songs.4.People.Who.Break.Bread is a celebration of leveling up. I have been writing about Niko Is every year since his marvelously perfect 2012 Chill Cosby mixtape. Since that time he has been feverishly releasing material, touring, and playing his position. He’s now Talib Kweli’s right hand man, the kind of guy who can live in a tour bus for months and unfold himself as a lyrical dynamo from a weeded up sleepy state.
Songs.4.People.Who.Break.Bread isn’t my favorite Niko project for the simple fact that I remember release after release that was all him with one or two guests(Brutus is the Reasonable Doubt for Niko) and his ability to breath fire and sew together disparate imagery was all I ever wanted. This project definitely has that. The last song is my favorite: God & the Devil in the land of the Sun is a scare your parent’s banger where Niko fires sneaky sit & think about it lyrics while exactly in the pocket of the melody, the groove. Niko has been doing this so long and so religiously that he fits no matter what beat starts.
Another rewarding aspect of following the development of Niko’s movement is I am as much a fan of his chosen producer Thanks Joey (Joey Creates). Early production was proudly boom bap under Latin Soul samples from the greats (Tim Maia comes to mind from Chill Cosby). Joey has grown with Niko and now while he still can give you beats under that formula he has grown into all other levels. Say U Don’t has voices chanting in the background sampled into a stew of tortured sound while the bass bubbles and thumps. Wildest Dreams sounds like Jungle ambiance over drums that would bring a tear to Timbo’s eyes. These 8 songs are the closest Joey has been to becoming the Latin hip hop stripped down banger scientist version of Swizz Beatz. On 5am @ Walmart he sets a classic hip hop tone that allows for great verses from not just Niko but Mygrane & Murdoc. That song is meant to be a cypher of lyricists so the beat needs to lead from the back and Joey can do it. Joey can do anything.
Niko has worked with other producers who have done great work but any Niko fan ends up wondering, why not just all Joey? Joey is so good. So that is what we get(and have gotten for a while). U Could Be My Gal is Joey’s prettiest work with finger snaps and gentle cooing looped as the beat knocks. The first Bandcamp tag is “bossa nova” the second is “hip hop” and it makes sense. At this point Joey could use nothing but Astrud Gilberto samples and give you the hardest hitting hip hop album of the year. Songs.4.People.Who.Break.Bread is a better showcase of Joey’s growth and expertise in his field than Niko. Niko understands at this point. He’s proved his bars all over tracks with legendary mc’s (Styles P, Kweli, Action Bronson) and reliably put out albums where the concept is simply that Niko Is dope, albums that work better than fancier concept albums from major artists.
Songs.4.People.Who.Break.Bread is an affirmation that as a team they are officially staples and it is known outside of Florida, outside of the weird subset who feverishly repped him. When Chino XL comes onto Spanglish in Outerspace and rips into Woody Allen and Usher in a masterful scene stealing verse you can see the long haired stage crusher smiling, not at all feeling uneasy that he just killed on a track but excited that he gets to be on it with Chino (F*CKING) XL. He lives a life where Kool A.D. will give him a verse now and he got there through his loving monogamous relationship with the beat. You can call him an energy guy but ever since he’s been around Kweli….Kweli has sounded totally re-energized (see Carmen off Niko’s Brutus LP). That is Niko and it is Joey and it’s appreciated.
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