Song review-Goyard by Lil Debbie produced by Kid Class
I will be forgiven for not being all in on Lil Debbie when she popped. She came about during that big 2011 White Girl Mob mess that spawned V-Nasty & Kreayshawn. She came in the game as a tiny white girl with a pronounced blacent (to be clear people grow up in different neighborhoods and if you are a tiny pretty white girl growing up in a culturally black environment I’m not mad if you pick up stuff, that outrage is not my perogative as I am a white dude from Maine).
The difference between Debbie and the rest is that she really picked up productivity. From 2013 till present day Lil Debbie has 6 ep’s and 2 studio albums. She teamed up with Atlanta based producer Kid Class for a new ep in salute of Fresh Prince/Jazzy Jeff entitled I’m The Rapper, He’s The Producer. For the first prolonged period of time (5 tracks) she is forced to adjust to different production. She’s spent her life eating off slapping bay area beats that did a lot of the work and this time things are different. The final product she’s able to craft is worthy of some real acknowledgement.
I did hear her get better over the course of years and her last album (2017’s OG In My System) has real bars (I distinctly remember hitting rewind on a verse attacking organized religion as a drug to pacify people). I’m The Rapper, He’s Producer is a game of adjustments. On the first track Oxymoron she uses the Migos pinched breathing hook delivery to find the bounce, on Stunt she uses Southern rap style vocal doubling to good effect. She sways with these beats to stay in the flow of the production.
The high point is Goyard (which I just found out from the internet is a French tote bag that dates back to the 1800’s. She went to fashion school people.) This is like a great Wiz Khalifa song with hand claps and a hook held and pinched to make the autotune an essential part of the song. Her flow has no more wrinkles left in it. You can say she’s not saying anything important and that argument has enough gray area to sink anyone BUT she spits. She is a monster on the chorus & bridge. I could have easily done this review on the song after Goyard (Classic) which is warm and fun and cocky. Her songs go.
Nothing makes me happier than when people I think suck prove I suck for doubting them. She gets it and has the right attitude when she says “You know I be super loaded off the OG blunts and Eddies, even let my haters hit it ain’t no time for being petty.” She played the long game after the hot takes cooled down.