Fight for The Future of Lil Uzi Vert
We complain a lot. All of us do. In Hip Hop, we get mad at youngsters for not doing what the older generations would do. Real rap problems exist: loss of interesting word usage, too much of a focus on ad-libs, drug addiction creating a generation of junked up kids with no goals. Take a moment and acknowledge that Lil Uzi Vert is a strong component in resolving some of these.
At first, Uzi was discounted simply because of the Lil. The Bad and Boujee feature was blistering but Uzi’s audience is his own and real. He has their attention and uses it. XO Tour Lif3 by September 2017 had 1.3 BILLION listens counting all streaming platforms (Wiki info). That song is about suicide mental breakdowns and heartbreak. He helps a suffering generation express acknowledge and process feeling like crap. In and of itself, that is important.
You might have heard he announced his retirement, announced he had label issues. We can’t let any of this happen. We can’t let labels hinder him. We can’t let him fall into whatever took Mac Miller away. I am not just saying this because he means a lot to his generation. I am saying this because I love this genre.
When he dropped the loosey Free Uzi as a youtube video (not on streaming services) it racked up 9.6 Million views but, more importantly, it’s an incredible song. Free Uzi is the Philly phenom exploding with bars, stringing any word he wants easily onto one of raps best flows. The propulsive beat allows him to easily surf while maintaining perfect breathe control. He’s not a mumble rapper, you can hear him saying things like “I remember when them N_’s all laughed at me,” as he dances in a convenience store with his friends. It’s just him having fun and stretching out his legs while breathing fire. It seems like the giant response to Free Uzi pressured his label into letting some more of his music loose.
Conversely, Sanguine Paradise (the first single they let out whatever prison they keep his music in) is a fully fleshed out single ready for the pop charts. The beat is beautiful (very pretty piano that does not slow down the speed of the song) unlike the speedbag flow of Free Uzi, Sanguine Paradise is a more melodic. Every line feels like a chorus.
This dude can dig into mental health, relationships, or just brag on a level where he becomes James Spader from Pretty In Pink, and SPIT. Find 1017 vs. The World mixtape and listen to him trade with a sober Gucci and stand tall. Not anyone can do that. I genuinely think this dude is the light of a new generation and if you don’t understand “the kids” you should listen to him. He’s the best chance you have.