Tag Archives: Boosie Badazz

Mixtape Review-Savage Holidays by Boosie Badazz

Mixtape Review-Savage Holidays by Boosie Badazz

by Dan-O

Savage Holidays is the greatest Christmas rap album of all time. The ability of Boosie to be able to take his superpower (turning painful stories/imagery into stadium sized anthems) and apply it to the holiday season is nothing short of exhilarating. It is not just his pain either. At the end of the title track he directly inhabits the perspective of his Chicago audience and wears their distress “he was finally F*&$in’ shinin’ man that N_ he was bossin’ last year he was rappin’ this year he in a coffin.” The whole project is dedicated to the frustration and terror of being alive in 2019. It is as if Boosie spends his career dissatisfied that the rap world pretends everything is going so well when they know the truth is harrowing.

Death stomps through Savage Holidays leaving deep footprints. Santa Claus of The Ghetto builds up the dope boy as someone who gives back to the community, shines so the poor kids can dream to be as wealthy but the chorus begs for him to stay free as long as possible. Prison or death can take the dope boy away in the wrong swirl of a moment and Boosie makes sure his chorus is pleading, the song feels like it is from a ghetto kids perspective not his. It’s high level writing.

On Christmas List YFN Lucci talks about robbing for PJ Masks, Rich Homie Quan talks about getting drugs in his stocking but the first line Boosie says in his verse is “I just want to be with my family for Christmas.” He spits it as hard as any threat he’s ever hurled; levels it at the loneliness he explores without applying branding tactics to humblebrag package it.

Boosie is not all soul bearing, his sexual appetite is pervasive throughout his work and he certainly pushes forward with that on Savage Holidays.  Pussy Got Me Like is dick-on-ya-buttcheeks straightforward and leads into Cold Outside which is significantly less creepy than Baby It’s Cold Outside. He’s clear within the song that he wants to smoke up, laugh, hang out and have lots of sex which seems like a more balanced relationship than the original version. While some will say ending the song with a call for his female audience to twerk is less distinguished than the original I think it is distinctly more honest.

If you are concerned about offensive things than yes, temper your expectations. Boosie is as full of offensive thoughts as he is meaningful introspection and empathy. This project has a song called The Bitch Who Stole Christmas about the time honored seduction as robbery one-two punch. He is livid and shouts the details as if it happened minutes ago and the beat is haunting. My favorite song is This Christmas where his anger tires and over a scratchy guitar he mumbles about letting his people down, going to prison. He uses his voice as an instrument extending words and singing in a way that tortures the melody. The chorus is “This Christmas won’t be like the others. Bells will still be ringin’ children still be singin’ but things won’t be the same at all. I done let my people down, prison walls they closin’ in. Try my best to shed no tears but they fall when holidays are here. This Christmas…” Can you imagine how many people are spending Christmas with these feelings (especially in a country that adores locking people up)? With this pain? Now imagine having Boosie give you and your family this soundtrack. What kind of fan loyalty would you have at that point? That is how Boosie can remain so foundationally strong while never popping up in the trivial hip hop trends. He works from a base that needs him more than they need anyone else.

Stream or download Savage Holidays below:

https://www.livemixtapes.com/mixtapes/48920/boosie-badazz-savage-holidays.html

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FME 2016 MVP is Boosie Badazz

FME 2016 MVP is Boosie Badazz

by Dan-O

Most of my frustration with music reviews stems from people judging influence in the moment. We can look back and understand the influence great albums or artists had on previous eras but anyone telling you the influence someone right now is having on the world right now…is pulling that out of their butt. In the moment all we have is the work.

No one put in better work in 2016 than Boosie Badazz. He beat cancer got out of prison and released six fantastic projects.  You could select the worst of those six projects (probably Thug Talk) and still get more out of it (content and enjoyment-wise) than the numerical victors of 2016. Over a total of 103 songs he poured his heart out time after time.

The emotional progression of his work in 2016 was masterful. In January he released a tight and earth shattering collection of music called In My Feelings. (Goin’ Thru It).  It’s a devastating journey; he turned introspective internal monologues into anthemic bangers.  While he roars he also ruminates all the way through going from The Rain to his cancer experience (Cancer) to sleeping in a puddle in his federal prison cell to the responsibility he has to his family and friends(Call of Duty) it makes perfect sense that the last song is I Know They Gone Miss Me where he wistfully hopes that his kids and friends will hold his memory close even after he passes. Nothing he released in 2016 was as uncomfortable as In My Feelings because of the unfiltered level of disclosure he abided by for those ten songs.  Forgive Me Being Lost in the wrong hands would be a humble brag about the depth and unstoppable nature of our narrators vengeance but right off the bat he confesses seeing his first dead body at 8 years old, he describes himself and his crew as roaches and as the song progresses he delivers the blistering “They tried to give me life, said I’m bad for the community. How I’m supposed ta feel about some people tryin’ to ruin me? Why should I stop for the cops if they shootin’ me? Why I get rich now my friends using me? Cold Winters, why us I need answers, if I sin god forgive me but my baby need pampers.”  Every Boosie verse takes place on the lowest dirtiest scariest continuum of existence, and it’s in a very consciously Springsteen way.  No matter how rich he gets he doesn’t want to lose that identity.

Out My Feelings In My Past is a brilliant follow up that hit a month after its predecessor. He makes the transition from internal dialogue to engaging with the world and wrestling with his memory of it vs. the state it is in now. You can see this on World War 6, New School/Old School, and especially on Mann where he talks about how horrifying the newest generation of younger hustlers are compared to his era.  Takem Back is a vivid rendering of his path to success where you can hear the implication that Boosie uses his experiences as parables and abides by the lessons they teach.

Thug Talk came in March and embraced fully the anger bubbling in the first two releases. On the second song (Finish U) he shouts the song into a melee that would make Waka Flocka proud; Off The Chain makes every brag kinetic and might not be his most meaningful song but pumps adrenaline through your speakers(“Say you gangsta I don’t buy that. I can smell where you hide at. Six murders and two attempts you talkin’ that ish B__ you lying! Go to war with any creature B__ you F_ing with a lion!!!”—Off The Chain). This roaring tsunami of anger feeds the soulful seething hopelessness of Menace II Society.  Guest verses on Thug Talk are no joke featuring the holy trinity of Z-ro, Pimp C, and Webbie.

In May Bleek Mode (Thug In Peace Lil Bleek) blew more holes in our available hard drive space. Not only was this project #5 but it is nineteen tracks!   My favorite Boosie song of 2016 is on this one, Hard But Sweet where he refers to his childhood as the Jolly Rancher days because they were hard but sweet.  The image fits him like a glove and defines the project which is full of hard, violent bangers but reveals itself in the sweet songs longing for the companionship of his favorite people. Destined To Blow and Blue Money are full to the brim with swagger but Not My N_ and Family Rules are intensely emotionally. Boosie doesn’t need death to get intense. He doesn’t “get intense” he just is. Dis Morning is just Boosie going off, about Ebola and distrust, paranoia, police violence, & ambition.Boosie is so ceaselessly dialed in to passionate full force response that it is actually difficult to maintain his level of energy. Boosie wears you out! At one point in Bleek Mode Boosie is convinced that in prison the insulin he uses for diabetes is being tampered with in order to murder him. Can you imagine being in that state of mind? Bleek Mode takes you there and it is scary. Still Not as scary as C-Murders voice.

A month before we even got Bleek Mode Boosie & C-Murder came together to put out an album called Penitentiary Chances. I didn’t have high hopes since prison albums(C-Murder is still locked up) tend to sound awful from a sound quality pov. I was wrong. Every Boosie song takes place in Boosie world so all vocals are clean as a new white T-shirt and all beats rumble with bass. The high point of the project is hearing C-Murder dialed into the power of that horrifying voice over the creepy chanting of Dear Supreme Court. If the song was intended to convince people he was innocent I’m not sure it should have been as creepy as it is. As a C-Murder song it is amazing. Penitentiary Chances is a real discussion about prison life from two people who shared the same cell block at one point. Boosie says “Used to have a personal chef…now I work in the kitchen(In The Pen),” let that image really sink in. It is intense. You listen to This Ain’t Living, For My Homies That’s Dead, Blame My Mother, & When We Came 2 The Can and before you hit song ten you feel like your living Donald Goines White Man’s Justice, Black Man’s Grief. Great book, tough read. Same deal here.

By the time Boosie dropped Happy Thanksgiving and Merry Christmas I was ready for some joy to peek in.  No one has dropped a Christmas project this hardcore. The track that made headlines was No Drake On where we have a Boyz N The Hood moment gone left. The protagonist of the song is riding around seething for revenge but he’s not getting out of the car. Instead of Drake playing in the ride he pops on Murder Was The Case. Lil Scrappy is great on the song, Hurricane Chris is vicious on Hurricane, Rich Homie Quan is probably my favorite guest verse of the album but I like my Boosie songs solo. Vlad TV features Boosie hitting that TI level of boisterous-but-he-means-every-word performance.

This isn’t just some paper Burger King crown of an award I’m giving to Boosie. I listened to over a hundred songs of his this year MANY MANY times. I know about his grandmother, his spirituality, his kidney cancer, his childhood love for pickles and hot chips and that level of successful vivid storytelling creates a relationship to the music and its author. I never sit back wondering why Boosie can’t break out into the international sensation the top 3 guys are. I’m just thankful that in 2016 anyone gave this much of themselves.

Stream or download Happy Thanksgiving and Merry Christmas below:

https://www.spinrilla.com/mixtapes/boosie-badazz-happy-thanksgiving-merry-Christmas

Stream or purchase Bleek Mode below:

https://www.spinrilla.com/mixtapes/lil-boosie-bleek-mode

Stream or purchase Thug Talk below:

https://www.spinrilla.com/mixtapes/lil-boosie-thug-talk

Stream or purchase Out My Feelings (In My Past) below:

https://www.spinrilla.com/mixtapes/boosie-badazz-out-my-feelings-in-my-past

If you get this far and like what you hear buy or stream In My Feelings and Penitentiary Chances from the service you pay for or hunt down the physical copy like us old heads do. Best Buy still has music…for now.

 

 

Mixtape Review-The Kanan Tape by 50 Cent

Mixtape Review-The Kanan Tape by 50 Cent

by Dan-O

One song on 50 Cent’s new Kanan Tape (free release mixtape) flawlessly represents the conundrum of 50. The song is called Body Bags and it starts with 50 telling a story about gambling one night, when a gunman barges in, shouting for everyone to go face down on the floor so he can rob them. 50 Cent looks at the gunman and says “N___ I got on white linen?!” That story is so specifically and charmingly him that it’s magic. The humor in a crappy situation, the overwhelming confidence, it all makes him special. Problem with all this is that the song following the interlude is blandly unspecified 50. Alchemist gives him a pure minimalist gem that sounds like 99 Mobb Deep and 50 gives us the song Body Bags which sounds like it could have been from any era of his career. If I said the phrase “typical 50 Cent song” you would hear Body Bags in your head.

This isn’t to say that he refuses to move out of his comfort zone. The Production list provides an interesting grouping of producers (seven songs seven different names). Whenever he moves into weird territory the results are interesting. It is fun to watch 50 wrap himself around a lush Sonny Digital beat on I’m The Man and the results are definitely a success. 50 has an incredibly high hip hop IQ so his southern songs are all performed at an extremely high level. Nigga Nigga featuring Lil Boosie and Young Buck is great not just because all Boosie verses have been show stoppers since he got out of prison, but because Young Buck always seems to show up and deliver when he lines up next to a dope artist. Young Buck by himself can go either way. The energy 50 brings to the track is matched by Boosie and the two snarl wonderfully together.

London on Da Track has the best song on the project Too Rich for the Bitch where he serves up a Young Thug style off kilter piano track to 50 who luxuriates in it, layering his braggadocio into a fascinating anti-love soundscape. This modern rap world of singing in the middle of the song and making your verses sound like hooks is something 50 can do in his sleep.

The most boring parts of The Kanan Tape sound like his boring last album Animal Ambition.  50 is convinced that if he gives us what we say we want from him we will be happy. That is why he gives us songs like Burner On Me with mailed in clothing brand brags and standard gun talk, it’s what we expect. The problem is that as an audience we only want sixty five percent of what we say we want; that thirty five percent that remains needs to be growth of some kind. Lyrically he won’t bring us closer to his life (he says he tried that on Before I Self Destruct and it didn’t work) so that leaves only so many other sonic ingredients that can change. I’m not writing this as some kind of smug internet tough…I’m a 50 Cent fan. The only Mainer who was bumping 50 Cent mixtapes before Eminem signed him and I’m saying you need to surprise me just a little. The Kanan tape is close but it’s not there.

stream or download The Kanan Tape below:

https://spinrilla.com/mixtapes/50-cent-the-kanan-tape

Song Review-Fly Away by Boosie Badazz produced by Crush Hayven

Song Review-Fly Away by Boosie Badazz produced by Crush Hayven

by Dan-O

How many artists could borrow a very silly R. Kelly hook and repurpose it for lyrics like “when people take your words and twist it, on parole still pissing, man wishing sperm make some more real @$$ N_’s”? This isn’t R. Kelly’s I believe I can fly. It seethes with indignation and paranoia, sorrow and loss. Crush Hayven gives it not only the rippling bass but the echoing vocal loop that feels like a wormhole. Boosie would be justified to just talk about his own pain but he switches perspective to a woman hurting inside but posing for the camera and again for someone crying tears over the loss of a loved one.

I keep telling people that Boosie is the future. If I lived in Tennessee people would probably be annoyed that I was stating the obvious but I live in New England so they say “Boosie who?” Boosie just put out a new mixtape showcasing himself and his crew called Every Ghetto Every City and it’s great. Some of the songs by his crew are dodgy (specifically a song about having an impressive booty called Juicy by a lady calling herself…Juicy Badazz) but everything Boosie touches himself is spellbinding. His songs all seem to be full of emotion, toughness, and perspective while retaining the “this would be amazing live” feel.  Word from Boosie is that he wrote over 100 songs in jail and I wouldn’t be surprised to hear that this is one of them. I maintain that with his titanic Southern following and mesmerizing delivery this is the talent Baby should rebuild Cash Money around. Someone who can do features with Rick Ross and make you feel like it’s HIS song; every second not on top feels like a waste for a dude like that.