Mixtape Review-Trapzuse by Zuse

Mixtape Review-Trapzuse by Zuse

by Dan-O

Having a non-traditional flow or style is cooler than it’s ever been. Weirdo rap runs strong not just from Rich Homie Quan and Young Thug but IloveMakonnen and down the line. That doesn’t mean that some things don’t still take some time to get used too.

I think it takes a project and a half to really fully get behind Zuse. I’ve listened to everything he’s ever put out, largely because of the massive critical acclaim his uniqueness brings, but his newest mixtape (Trapzuse) is on another level above anything he’s done previously. Half of that has to do with the level of production, which has destroyed my preferred headphones (Metro Boomin produced one of the only songs that didn’t bass-destroy my audio setup). The Drumaticz did three songs and deserve a huge shout out. The production is so good that you don’t even realize Metro Boomin and Sonny Digital are a part of this; they don’t really stand out amongst the great contributions everyone makes.

The other half of why Trapzuse rocks has to do with assimilating my ears to the very authentically reggae flow that Zuse has perfected. Once you tune yourself to it you can catch the tongue twisting alliteration on Chipotle, the chilling murder scenario at the end of I Can’t Wait. His hooks have taken a massive step up and are now in the top tier of available trap. On every song he’s chopping chickens and hitting the hook like a heavy bag but it works. Run To It is expertly sung. His voice actually gets weirder on Trappin On Da Clock as he stretches the first word and repeats it following it with the other three in one bunch (holding the end of the last word until you beg for him to let it go). As hip hop listeners we are used to reggae rap in the KRS-ONE way; the I’m-going-to-do-this-for-a-song-or-two, maybe-a-verse-here-or-there, but-I’ll-come-back-to-the-standard-so-don’t-worry style. Zuse has been polishing this flow for a while, it’s all he does and it shines.

The weirdo superbowl takes place on the fourth track: Plug is Latino when Young Thug comes together with Zuse who sounds even brusquer than usual to counter the high and meandering tones of Thugga. It’s everything a weirdo rap fan could hope for; two mad flow scientists just having a ball.

I love this mixtape front to back but the truly strange thing is that the three best songs are the last three. As it ends Trapzuse feels like it is the prequel to some next project that is even more powerful, focused, catchy and strange. Money Come should be a pretty standard I’m-out-for-this-money song but Zuse throws down! His third verse is as good as any trap verse in 2015 and the chorus has infinite replayability. Till I Die might be the best beat on the project; it just writhes and twitches and bumps while Zuse delivers a muted and heartfelt ballad about staying alive. Post Malone has my favorite feature on my favorite song on Trapzuse. Before we are a minute into On God Post Malone is laughing in the background as Zuse brags about mixing Reggae with rap and confusing the world. It’s fabulous adrenaline altering braggadocio and the essence of Trapzuse. He manages to do all the things we are used to in a way that sounds completely different. The energy is contagious.

Stream or download Trapzuse below:


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