Mixtape Review-The Program by Cam’ron
I may have been more excited for this mixtape than I have been for any all year. While people can consider Cam out of the spotlight, past his prime, whatever way you want to say rap has “passed him by” I disagree. 1. Rap hasn’t passed him it has embraced him. The new generation of eccentrically dressed weirdo rappers are very very Dipset. 2. Cam has been laying incredible guest verses for a while now: see S.D.E. by Dave East featuring Cam, see Moving Weight Pt. 1 by Pete Rock & Smoke Dza. 3. What an artist does when the spotlight has passed is a very critical part of their career. It clarifies how much of what you loved about them was authentically present within or just came out when all the eyes did.
Given that Cam had been sharpening his sword and watching the game I figured he was ready to talk crazy again. The Program delivers! On the first song (It’s Killa) he tells the story of Ma$e calling him to bail him out of a tough spot in some ugly projects and Cam saving him by showing up strapped and making it known. Once the trouble passes Ma$e offers Cam a $100 and Cam feels insulted being a very profitable drug supplier. The song Coleslaw starts with “Kanye got on stage what he do? Play Jay-z out. What he do next? Check into the crazy house. F*&^ that you made a living talkin’ greasy, besides that man you Yeezy with the Yeezy’s! Be yourself you ain’t gotta go AWOL and F@*$ that Ye I been this way since Ye tall. If you regret it than dead it but if you said you said it you meant what you said can’t tell me forget it, FORGET IT. I’m different I’m from a different type of hunger N_.” The immediate internet response probably views this as a washed up artist looking to trend but that ain’t Cam.
The Program reveals Cam’ron as the 1992 Charles Barkley of rap. That special kind of artist who gets to say exactly what he wants and survive it; laugh in the face of 50 Cent and Bill O’Reilly. He’s goofy enough to make Cyndi Lauper’s Time After Time into Dime After Dime and absurd enough to use a fantastic Jus Blaze beat to make a song about kissing the mirror (Kiss Myself) but even the jokes let sincerity shine through. I love the first verse of Lean. He uses Bill Withers Lean On Me to floss drug tales but his beating heart is behind these stories.
“(Lean) They couldn’t understand me, now I find it ironic
I grew up with Big L, all I knew was ebonics
Jealousy, crack, greed, homicide and chronic
Where niggas catch a body, changed their name like the Sonics
It was hot like Phoenix
I used to look up at the Lennox Ave sign hand on my heart and pledge allegiance
Drama 15 years straight, nothing recent
But I’ma call the state for back pay, they owe me grievance
And you can’t knock that, block the block with the top back
Open up that Fanta, I got that”
If you listen to the 15 songs and shake your head because Cam is too much: Remember Game is too petty or the Curve skit is odd… you have a fair first reaction. Listen to it again and try to hear how sincere he is on U Wasn’t There. Keep in mind you might not ever find a new Cam. Ask yourself honestly if you miss this kind of big anthemic NY hip hop production with sharp lyrical humor over it. By the third listen the questions will fade and you’ll just be grooving.
stream or download The Program below:
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